Britten: The Collectors Edition (CD37)
Truls MørkCD1
- I. Lacrymosa (Andante ben misurato) -: Sinfonia da Requiem Op. 20
- II. Dies irae (Allegro con fuoco) -: Sinfonia da Requiem Op. 20
- III. Requiem aeternam (Andante molto tranquillo): Sinfonia da Requiem Op. 20
- Dawn: 4 Sea Interludes, Op. 33a
- Sunday Morning: 4 Sea Interludes, Op. 33a
- Moonlight: 4 Sea Interludes, Op. 33a
- Passacaglia from 'Peter Grimes' Op. 33b
- Storm: 4 Sea Interludes, Op. 33a
- Theme: Allegro maestoso e largamente (full orchestra - woodwind - brass - strings - percussion - full orchestra): The
- Variation A: Presto (flutes & piccolo): The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme
- Variation B: Lento (oboes): The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell Op. 3
- Variation C: Moderato (clarinets): The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcel
- Variation D: Allegro con marcia (bassoons): The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme
- Variation E: Brillante, alla polacca (violins): The Young Person's Guide to the Orchestra (Variations and Fugue on a Th
- Variation F: Meno mosso (violas): The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell
- Variation G: L'istesso tempo (cellos): The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Pu
- Variation H: Cominciando lento ma poco a poco accel. al Allegro (double basses): The Young Person's Guide to the Orches
- Variation I: Maestoso (harp): The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell Op.
- Variation J: L'istesso tempo (horns): The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Pur
- Variation K: Vivace (trumpets): The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell O
- Variation L: Allegro pomposo (trombones & tuba): The Young Person's Guide to the Orchestra (Variations and Fugue on
- Percussion - Variation M: Moderato (percussion): The Young Person's Guide to the Orchestra (Variations and Fugue on a
- Fugue: Allegro molto - Con slancio (L'istesso tempo) (full orchestra): The Young Person's Guide to the Orchestra (Varia
CD2
- Canadian Carnival, Op.19
- Theme -: Diversions for piano (left hand) and orchestra, Op.21
- Var.I Recitative -: Diversions for piano (left hand) and orchestra, Op.21
- Var.II Romance -: Diversions for piano (left hand) and orchestra, Op.21
- Var.III March -: Diversions for piano (left hand) and orchestra, Op.21
- Var.IV Arabesque: Diversions for piano (left hand) and orchestra, Op.21
- Var.V Chant -: Diversions for piano (left hand) and orchestra, Op.21
- Var.VI Nocturne -: Diversions for piano (left hand) and orchestra, Op.21
- Var.VII Badinerie: Diversions for piano (left hand) and orchestra, Op.21
- Var.VIII Burlesque: Diversions for piano (left hand) and orchestra, Op.21
- Var.IX Toccata I - Toccata II -: Diversions for piano (left hand) and orchestra, Op.21
- Var.X Adagio: Diversions for piano (left hand) and orchestra, Op.21
- Var.XI Tarantella: Diversions for piano (left hand) and orchestra, Op.21
- Scottish Ballad, Op.26
- An American Overture, Op.27
- Occasional Overture, Op.38
- The Building of the House - Overture, Op.79
CD3
- I. Toccata (Allegro molto e con brio): Piano Concerto Op.13
- II. Waltz (Allegretto): Piano Concerto Op.13
- III. Impromptu (Andante lento) -: Piano Concerto Op.13
- IV. March (Allegro moderato - sempre alla marcia): Piano Concerto Op.13
- I. Moderato con moto: Violin Concerto Op. 15 (revised version) (1992 Digital Remaster)
- II. Vivace - Cadenza -: Violin Concerto Op. 15 (revised version) (1992 Digital Remaster)
- III. Passacaglia (Andante lento (un poco meno mosso) - Largamente (lento) - Lento e solenne): Violin Concerto Op. 1
- Young Apollo, Op.16 /Peter Donohoe/City of Birmingham
CD4
- I. Boisterous Bourrée: Simple Symphony Op. 4
- II. Playful Pizzicato: Simple Symphony Op. 4
- III. Sentimental Sarabande: Simple Symphony Op. 4
- IV. Frolicsome Finale: Simple Symphony Op. 4
- Introduction and Theme: Variations on a theme of Frank Bridge Op. 10
- Variation 1: Adagio: Variations on a theme of Frank Bridge Op. 10
- Variation 2: March: Variations on a theme of Frank Bridge Op. 10
- Variation 3: Romance: Variations on a theme of Frank Bridge Op. 10
- Variation 4: Aria italiana: Variations on a theme of Frank Bridge Op. 10
- Variation 5: Bourrée classique: Variations on a theme of Frank Bridge Op. 10
- Variation 6: Wiener Walzer: Variations on a theme of Frank Bridge Op. 10
- Variation 7: Moto perpetuo: Variations on a theme of Frank Bridge Op. 10
- Variation 8: Funeral March: Variations on a theme of Frank Bridge Op. 10
- Variation 9: Chant: Variations on a theme of Frank Bridge Op. 10
- Variation 10: Fugue and Finale: Variations on a theme of Frank Bridge Op. 10
- Prelude & Fugue Op. 29
- Lachrymae Op. 48
CD5
- The Tournament: Symphonic Suite from Gloraina, Op. 53a
- The Lute Song: Symphonic Suite from Gloraina, Op. 53a
- March: Symphonic Suite from Gloraina, Op. 53a, The Courtly Dances
- Coranto: Symphonic Suite from Gloraina, Op. 53a, The Courtly Dances
- Pavane: Symphonic Suite from Gloraina, Op. 53a, The Courtly Dances
- Morris Dance: Symphonic Suite from Gloraina, Op. 53a, The Courtly Dances
- Galliard: Symphonic Suite from Gloraina, Op. 53a, The Courtly Dances
- Lavolta: Symphonic Suite from Gloraina, Op. 53a, The Courtly Dances
- Gloriana moritura: Symphonic Suite from Gloraina, Op. 53a
- I. Allegro maestoso: Cello Symphony Op. 68
- II. Presto inquieto: Cello Symphony Op. 68
- Cadenza: Cello Symphony Op. 68, III. Adagio
- IV. Passacaglia (Andante allegro): Cello Symphony Op. 68
- Variations on a Christmas carol, 'Men of Goodwill'
CD6
- I: Poco presto ed agitato: Sinfonietta Op. 1
- II: Andante lento: Sinfonietta Op. 1
- III: Tarantella (Presto vivace): Sinfonietta Op. 1
- Russian Funeral
- 'A time there was...' Op.90: I. Cakes and Ale: Suite on English Folk Tunes
- 'A time there was...' Op.90: II. The Bitter Withy: Suite on English Folk Tunes
- 'A time there was...' Op.90: III. Hankin Booby: Suite on English Folk Tunes
- 'A time there was...' Op.90: IV. Hunt the Squirrel: Suite on English Folk Tunes
- 'A time there was...' Op.90: V. Lord Melbourne: Suite on English Folk Tunes
- March: Matinées musicales Op. 24
- Nocturne: Matinées musicales Op. 24
- Waltz: Matinées musicales Op. 24
- Pantomime: Matinées musicales Op. 24
- Moto perpetuo: Matinées musicales Op. 24
- March: Soirées musicales Op. 9
- Canzonetta: Soirées musicales Op. 9
- Tirolese: Soirées musicales Op. 9
- Bolero: Soirées musicales Op. 9
- Tarantella: Soirées musicales Op. 9
- I. Allegro brillante -: Rossini Suite
- II. Allegretto: Rossini Suite
- III. Allegretto -: Rossini Suite
- IV. Bolero (Allegro moderato) -: Rossini Suite
- V. Allegro con brio: Rossini Suite
CD7
- Prelude: The Prince of the Pagodas - Ballet in three acts Op. 57, Act I
- The Fool and the Dwarf (David Purser, principal trombone): The Prince of the Pagodas - Ballet in three acts Op. 57, Act
- March and Courtiers' Dance (John Harle, alto saxophone): The Prince of the Pagodas - Ballet in three acts Op. 57, Act I
- Entry of the Pages and the Four Kings (Sebastian Bell, principal flute): The Prince of the Pagodas - Ballet in three ac
- Variation of the King of the North: The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the E
- Variation of the King of the East (Michael Thompson, horn): The Prince of the Pagodas - Ballet in three acts Op. 57, Ac
- Variation of the King of the West: The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Em
- Variation of the King of the South (John Chimes, timpani; Kevin Nutty, native drums): The Prince of the Pagodas - Balle
- The Kings bow before the Emperor: The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Emp
- Variation of Princess Belle Epine: The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Em
- Variation of Princess Belle Rose and Pas de deux (Gareth Hulse, oboe; John Miller, trumpet): The Prince of the Pagodas
- The Kings and Belle Rose: The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Emperor of
- Belle Epine and the Four Kings: The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Emper
- The Rage of the Kings: The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Emperor of the
- Entry of the Four Winged Frogs (John Orford, principal bassoon): The Prince of the Pagodas - Ballet in three acts Op. 5
- The Strange Journey of Belle Rose to the Pagoda Land: Introduction: Belle Rose borne in by the Frogs: The Prince of the
- The Strange Journey of Belle Rose to the Pagoda Land: Waltz (Clouds, Stars and Moon): The Prince of the Pagodas - Balle
- The Strange Journey of Belle Rose to the Pagoda Land: Belle Rose borne in by the Frogs: The Prince of the Pagodas - Bal
- The Strange Journey of Belle Rose to the Pagoda Land: Entrée (Sea Horses, Fish Creatures and Waves): The Prince of the
- The Strange Journey of Belle Rose to the Pagoda Land: Variation (Sea Horses): The Prince of the Pagodas - Ballet in thr
- The Strange Journey of Belle Rose to the Pagoda Land: Variation (Fish Creatures) (Helen Tunstall, harp; Joy Farrall, cl
- The Strange Journey of Belle Rose to the Pagoda Land: Coda: The Prince of the Pagodas - Ballet in three acts Op. 57, Ac
- The Strange Journey of Belle Rose to the Pagoda Land: Belle Rose borne in by the Frogs: The Prince of the Pagodas - Bal
- The Strange Journey of Belle Rose to the Pagoda Land: Pas de deux (Male and Female Flames): The Prince of the Pagodas -
- The Strange Journey of Belle Rose to the Pagoda Land: Variation (Male Flame): The Prince of the Pagodas - Ballet in thr
- The Strange Journey of Belle Rose to the Pagoda Land: Variation (Female Flame): The Prince of the Pagodas - Ballet in t
- The Strange Journey of Belle Rose to the Pagoda Land: Coda: The Prince of the Pagodas - Ballet in three acts Op. 57, Ac
- The Strange Journey of Belle Rose to the Pagoda Land: Belle Rose, exhausted, borne in by the Frogs: The Prince of the P
- The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas: Belle Rose in darkness (Nona Liddell, violin):
- The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas: The Pagodas (James Holland, principal percussio
- The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas: The Salamander: The Prince of the Pagodas - Bal
- The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas: Pas de deux (The Prince and Belle Rose) (Nichol
- The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas: Belle Rose hunts for the Prince: The Prince of
CD8
- The Palace of the Middle Kingdom: Empress Belle Epine: The Prince of the Pagodas - Ballet in three acts Op. 57, Act III
- The Palace of the Middle Kingdom: The Old Emperor (John Harle, alto saxophone): The Prince of the Pagodas - Ballet in t
- The Palace of the Middle Kingdom: Appearance of Belle Rose and the Salamander: The Prince of the Pagodas - Ballet in th
- The Pagoda Palace: Transformation: The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2
- The Pagoda Palace: Pas de six: Entrée: The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2
- The Pagoda Palace: Variation I: Pas de deux: The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2
- The Pagoda Palace: Variation II: Girl's Solo (Nona Liddell, violin; Christopher van Kampen, cello): The Prince of the P
- The Pagoda Palace, Variation III : Boy's Solo: The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene
- The Pagoda Palace, Variation III : Pas de trois: The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scen
- The Pagoda Palace, Variation III : Coda: The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2
- The Pagoda Palace: Pas de caractère (The Emperor and the Fool): The Prince of the Pagodas - Ballet in three acts Op. 57
- The Pagoda Palace: Pas de deux (Belle Rose and the Prince of the Pagodas): The Prince of the Pagodas - Ballet in three
- The Pagoda Palace: Variation (The Prince): The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2
- The Pagoda Palace: Variation (Belle Rose): The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2
- The Pagoda Palace: Finale: The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2
- The Pagoda Palace: Apotheosis: The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2
CD9
- Rhapsody for string quartet (1929)
- I. Andante - Allegro molto e con fuoco: Quartettino (1930)
- II. Poco adagio ma con moto: Quartettino (1930)
- III. Allegro molto vivace: Quartettino (1930)
- Elegy (1930) - Garfield Jackson
- I. Allegro maestoso: String Quartet in D
- II. Lento ed espressivo: String Quartet in D
- III. Allegro giocoso: String Quartet in D
- Phantasy in F minor - Nicholas Logie
CD10
- Phantasy Op. 2
- March: 3 Divertimenti
- Waltz: 3 Divertimenti
- Burlesque: 3 Divertimenti
- Alla marcia
- I. Andante sostenuto: String Quartet No. 1 in D Op 25
- II. Allegretto con slancio: String Quartet No. 1 in D Op 25
- III. Andante calmo: String Quartet No. 1 in D Op 25
- IV. Molto vivace: String Quartet No. 1 in D Op 25
CD11
- I. Allegro calmo senza rigore: String Quartet No. 2 in C Op 36
- II. Vivace: String Quartet No. 2 in C Op 36
- III. Chacony (Sostenuto): String Quartet No. 2 in C Op 36
- I. Duets (with moderato movement): String Quartet No. 3 Op 94
- II. Ostinato (Very fast): String Quartet No. 3 Op 94
- III. Solo (Very calm): String Quartet No. 3 Op 94
- IV. Burlesque (Fast, con fuoco): String Quartet No. 3 Op 94
- V. Recitative and Passacaglia 'La Srenissima' (Slow): String Quartet No. 3 Op 94
CD12
- Canto Primo: Sostenuto e largamente: Suite No. 1 in G for Solo Cello Op.72
- I Fuga: Andante moderato: Suite No. 1 in G for Solo Cello Op.72
- II Lamento: Lento rubato: Suite No. 1 in G for Solo Cello Op.72
- Canto Secondo: Sostenuto: Suite No. 1 in G for Solo Cello Op.72
- III Serenata: Allegretto (pizzicato): Suite No. 1 in G for Solo Cello Op.72
- IV Marcia: Alla marcia moderato: Suite No. 1 in G for Solo Cello Op.72
- Canto Terzo: Sostenuto: Suite No. 1 in G for Solo Cello Op.72
- V Bordone: Moderato quasi recitativo: Suite No. 1 in G for Solo Cello Op.72
- VI Moto perpetuo e Canto quarto: Presto: Suite No. 1 in G for Solo Cello Op.72
- I Declamato: Largo: Suite No. 2 in D for Solo Cello Op.80
- II Fuga: Andante: Suite No. 2 in D for Solo Cello Op.80
- III Scherzo: Allegro molto: Suite No. 2 in D for Solo Cello Op.80
- IV Andante lento: Suite No. 2 in D for Solo Cello Op.80
- V Ciaccona: Allegro: Suite No. 2 in D for Solo Cello Op.80
- I Introduzione: Lento: Suite No. 3 for Solo Cello Op. 87
- II Marcia: Allegro: Suite No. 3 for Solo Cello Op. 87
- III Canto: Con moto: Suite No. 3 for Solo Cello Op. 87
- IV Barcarola: Lento: Suite No. 3 for Solo Cello Op. 87
- V Dialogo: Allgretto: Suite No. 3 for Solo Cello Op. 87
- VI Fuga: Andante espressivo: Suite No. 3 for Solo Cello Op. 87
- VII Recitativo: Fantastico: Suite No. 3 for Solo Cello Op. 87
- VIII Moto perpetuo: Presto: Suite No. 3 for Solo Cello Op. 87
- IX Passacaglia: Lento solenne: Suite No. 3 for Solo Cello Op. 87
CD13
- I. Early Morning Bathe: Holiday Diary Op. 5
- II. Sailing: Holiday Diary Op. 5
- III. Funfair: Holiday Diary Op. 5
- IV. Night: Holiday Diary Op. 5
- I. John (Poco allegro vivace): Three Character Pieces (1930)
- II. Daphne (Poco andante grazioso): Three Character Pieces (1930)
- III. Michael (Poco presto e molto capriccioso): Three Character Pieces (1930)
- Night Piece (Notturno) (1963)
- Moderato: Moderato and Nocturne (Sonatina romantica, 1940)
- Nocturne: Moderato and Nocturne (Sonatina romantica, 1940)
- Twelve Variations (1931)
- I. Rather fast and nervous: Five Walztes (Waltzes) (1923-5/1969)
- II. Quick, with wit: Five Walztes (Waltzes) (1923-5/1969)
- III. Dramatic: Five Walztes (Waltzes) (1923-5/1969)
- IV. Rhythmic; not fast: Five Walztes (Waltzes) (1923-5/1969)
- V. Variations: Quiet and simple: Five Walztes (Waltzes) (1923-5/1969)
- Lullaby: Two Lullabies (1936)
- Lullaby for a Retired Colonel: Two Lullabies (1936)
- Mazurka elegiaca Op. 23 No. 2
- Introduction -: Introduction and Rondo alla burlesca Op. 23 No. 1
- Rondo alla burlesca: Introduction and Rondo alla burlesca Op. 23 No. 1
CD14
- I. Introduction (Andante maestoso): Suite for violin and piano Op. 6
- II. March (Allegro alla marcia): Suite for violin and piano Op. 6
- III. Moto perpetuo (Allegro molto e con fuoco): Suite for violin and piano Op. 6
- IV. Lullaby (Lento tranquillo): Suite for violin and piano Op. 6
- V. Waltz (Alla valse: vivace e rubato): Suite for violin and piano Op. 6
- I. Dialogo (Allegro): Cello Sonata in C Op. 65
- II. Scherzo-pizzicato (Allegretto): Cello Sonata in C Op. 65
- III. Elegia (Lento): Cello Sonata in C Op. 65
- IV. Marcia (Energico): Cello Sonata in C Op. 65
- V. Moto perpetuo (Presto): Cello Sonata in C Op. 65
- 1. Pan (Senza misura): Six Metamorphoses after Ovid Op. 49
- 2. Phaeton (Vivace ritmico): Six Metamorphoses after Ovid Op. 49
- 3. Niobe (Andante): Six Metamorphoses after Ovid Op. 49
- 4. Bacchus (Allegro pesante): Six Metamorphoses after Ovid Op. 49
- 5. Narcissus (Lento piacevole): Six Metamorphoses after Ovid Op. 49
- 6. Arethusa (Largamente): Six Metamorphoses after Ovid Op. 49
- I. Musingly (Meditation): Nocturnal after John Dowland Op. 70
- II. Agitated (Molto agitatavo): Nocturnal after John Dowland Op. 70
- III. Restless (Inquieto): Nocturnal after John Dowland Op. 70
- IV. Uneasy (Ansioso): Nocturnal after John Dowland Op. 70
- V. March-like (Quasi una marcia): Nocturnal after John Dowland Op. 70
- VI. Dreaming (Sognanti): Nocturnal after John Dowland Op. 70
- VII. Greatly rocking (Cullante): Nocturnal after John Dowland Op. 70
- VIII. Passacaglia (Misurato): Nocturnal after John Dowland Op. 70
- IX. Slow and quiet (Molto tranquillo): Nocturnal after John Dowland Op. 70
CD15
- Requiem aeternam dona eis Domine: War Requiem, Op.66, I. Requiem aeternam
- What passing-bells for these who die as cattle?: War Requiem, Op.66, I. Requiem aeternam
- Kyrie eleison: War Requiem, Op.66, I. Requiem aeternam
- Dies irae, dies illa: War Requiem, Op.66, II. Dies irae
- Bugles sang, saddening the evening air: War Requiem, Op.66, II. Dies irae
- Liber scriptus proferetur: War Requiem, Op.66, II. Dies irae
- Out there, we've walked quite friendly up to Death: War Requiem, Op.66, II. Dies irae
- Recordare Jesu pie: War Requiem, Op.66, II. Dies irae
- Be slowly lifted up, thou long black arm: War Requiem, Op.66, II. Dies irae
- Dies irae, dies illa: War Requiem, Op.66, II. Dies irae
- Lacrimosa dies illa: War Requiem, Op.66, II. Dies irae
- Move him into the sun...Pie Jesu: War Requiem, Op.66, II. Dies irae
- Domine Jesu Christe: War Requiem, Op.66, III. Offertorium
- So Abram rose, and clave the wood, and went: War Requiem, Op.66, III. Offertorium
- Sanctus, sanctus, sanctus: War Requiem, Op.66, IV. Sanctus
- Benedictus qui venit in nomine Domini: War Requiem, Op.66, IV. Sanctus
- After the blast of lightning from the East: War Requiem, Op.66, IV. Sanctus
- V. Agnus Dei: War Requiem, Op.66
CD16
- Libera me, Domine, de morte aeterna: War Requiem, Op.66, VI. Libera me
- It seemed that out of battle I escaped: War Requiem, Op.66, VI. Libera me
- Let us sleep now...In paradisum: War Requiem, Op.66, VI. Libera me
- Introduction: Shine out (Anon. 16th century): A Spring Symphony Op. 44 (1986 Digital Remaster)
- The merry Cuckoo (E Spencer): A Spring Symphony Op. 44 (1986 Digital Remaster)
- Spring, the sweet Spring (T Nashe): A Spring Symphony Op. 44 (1986 Digital Remaster)
- The Driving Boy (G Peele and J Clare): A Spring Symphony Op. 44 (1986 Digital Remaster)
- The Morning Star (J Milton): A Spring Symphony Op. 44 (1986 Digital Remaster)
- Welcome, Maids of Honour (R Herrick): A Spring Symphony Op. 44 (1986 Digital Remaster)
- Waters above! (H Vaughan): A Spring Symphony Op. 44 (1986 Digital Remaster)
- Out of the lawn lie in bad (W H Auden): A Spring Symphony Op. 44 (1986 Digital Remaster)
- When will my May come (Barnefield): A Spring Symphony Op. 44 (1986 Digital Remaster)
- Fair and Fair (G Peele): A Spring Symphony Op. 44 (1986 Digital Remaster)
- Sound the flute! (W Blake): A Spring Symphony Op. 44 (1986 Digital Remaster)
- Finale: London, to thee I do present (J Beaumont, J Fletcher & anon. 13th century): A Spring Symphony Op. 44 (1986
CD17
- I. In a garden shady this holy lady: Hymn to St Cecilia Op. 27 (2004 Digital Remaster)
- II. I cannot grow: Hymn to St Cecilia Op. 27 (2004 Digital Remaster)
- III. O ear whose creatures cannot wish to fall: Hymn to St Cecilia Op. 27 (2004 Digital Remaster)
- I: Procession: A Ceremony of Carols Op. 28 (2004 Digital Remaster)
- II: Wolcum Yole!: A Ceremony of Carols Op. 28 (2004 Digital Remaster)
- III. There is no rose: A Ceremony of Carols Op. 28 (2004 Digital Remaster)
- IV: (a) That yongë child: A Ceremony of Carols Op. 28 (2004 Digital Remaster)
- IV: (b) Balulalow: A Ceremony of Carols Op. 28 (2004 Digital Remaster)
- V: As dew in Aprille: A Ceremony of Carols Op. 28 (2004 Digital Remaster)
- VI: This little Babe: A Ceremony of Carols Op. 28 (2004 Digital Remaster)
- VII: Interlude (Andante pastorale) [harp]: A Ceremony of Carols Op. 28 (2004 Digital Remaster)
- VIII: In freezing winter night: A Ceremony of Carols Op. 28 (2004 Digital Remaster)
- IX: Spring Carol: A Ceremony of Carols Op. 28 (2004 Digital Remaster)
- X: Deo Gracias!: A Ceremony of Carols Op. 28 (2004 Digital Remaster)
- XI: Recession: A Ceremony of Carols Op. 28 (2004 Digital Remaster)
- I. Kyrie: Missa brevis in D Op. 63 (2004 Digital Remaster)
- II. Gloria: Missa brevis in D Op. 63 (2004 Digital Remaster)
- III. Sanctus: Missa brevis in D Op. 63 (2004 Digital Remaster)
- IV. Benedictus: Missa brevis in D Op. 63 (2004 Digital Remaster)
- V. Agnus Dei: Missa brevis in D Op. 63 (2004 Digital Remaster)
- Festival Te Deum Op. 32 (2004 Digital Remaster)
- Rejoice in God, O ye Tongues (choir): Rejoice in the Lamb - Festival Cantata Op. 30 (2004 Digital Remaster)
- For I will consider my Cat Jeoffry (treble): Rejoice in the Lamb - Festival Cantata Op. 30 (2004 Digital Remaster)
- For the Mouse is a creature of great personal valour (alto): Rejoice in the Lamb - Festival Cantata Op. 30 (2004 Digita
- For the flowers are great blessings (tenor): Rejoice in the Lamb - Festival Cantata Op. 30 (2004 Digital Remaster)
- For I am under the same accusation (choir): Rejoice in the Lamb - Festival Cantata Op. 30 (2004 Digital Remaster)
- For He is the spirit (bass and choir): Rejoice in the Lamb - Festival Cantata Op. 30 (2004 Digital Remaster)
- Hallelujah (choir): Rejoice in the Lamb - Festival Cantata Op. 30 (2004 Digital Remaster)
- Te Deum (1934) (2004 Digital Remaster)
- Jubilate Deo (1961) (2004 Digital Remaster)
CD18
- Hymn to the Virgin
- Introduction: Our eyes are blinded by the holiness you bear: Saint Nicolas, Op.42 (1995 Digital Remaster)
- The Birth of Nicolas: Saint Nicolas, Op.42 (1995 Digital Remaster)
- Nicolas devotes himself to God: Saint Nicolas, Op.42 (1995 Digital Remaster)
- He journeys to Palestine: Saint Nicolas, Op.42 (1995 Digital Remaster)
- Nicolas comes to Myra and is chosen Bishop: Saint Nicolas, Op.42 (1995 Digital Remaster)
- Nicolas from prison: Saint Nicolas, Op.42 (1995 Digital Remaster)
- Nicolas and the pickled boys: Saint Nicolas, Op.42 (1995 Digital Remaster)
- His Piety and Marvellous Works: Saint Nicolas, Op.42 (1995 Digital Remaster)
- The Death of Nicolas: Saint Nicolas, Op.42 (1995 Digital Remaster)
- Hymn to St Peter Op. 56a (1968 Digital Remaster)
- A Hymn of St Columba (Regis regum rectissimi) (attrib. St. Columba)
- St Godric's Hymn: Sacred and Profane Op. 91
- Imon waxe wood: Sacred and Profane Op. 91
- Lenton is come: Sacred and Profane Op. 91
- The long night: Sacred and Profane Op. 91
- Yific of luve can: Sacred and Profane Op. 91
- Carol: Sacred and Profane Op. 91
- Ye that pasen by: Sacred and Profane Op. 91
- A death: Sacred and Profane Op. 91
CD19
- A January Morning: I. The Sweep's Song: "Sweep! Sweep!" (Audience Song I - Audience/Clem/Black Bob): T
- A January Morning: II. Quartet: "Sweep this chimney!" (Miss Baggott/Rowan/Clem/Black Bob): The Little S
- A January Morning: III. Duet: "Now, little white boy!" (Clem/Black Bob): The Little Sweep Op. 45 (1995
- A January Morning: IIIa Hide and Seek: "Juliet! Juliet!" (Children): The Little Sweep Op. 45 (1995 Digit
- A January Morning: IV. Shanty: "Pull the rope gently" (Children): The Little Sweep Op. 45 (1995 Digital
- A January Morning: V. Ensemble: "Is he wounded?" (Sam/Children): The Little Sweep Op. 45 (1995 Digital
- A January Morning: VI. Marching Song: "Sooty tracks upon the sheet" (Children/Miss Baggott/Black Bob/Cle
- A January Morning: VII. Trio: "Sam! Sam!" (Black Bob/Clem/Miss Baggott): The Little Sweep Op. 45 (1995 Di
- A January Morning: VIII. Aria: "Run, poor sweepboy" (Rowan/Children): The Little Sweep Op. 45 (1995 Digit
- A January Morning: IX. Sammy's Bath: "The kettles are singing" (Audience Song II - Audience/Rowan/Sam):
- Later: X. Ensemble: "O why do you weep" (Rowan/Sam/Children): The Little Sweep Op. 45 (1995 Digital Re
- Later: XI. Pantomine and .....: The Little Sweep Op. 45 (1995 Digital Remaster), Scene Two
- Later: XII. ..... Scena: "Ah! ..... Blackguards!" (Miss Baggott): The Little Sweep Op. 45 (1995 Digital
- Later: XIII. Finale: "Help! Help! She's collapsed!" (Miss Baggott/Rowan/Children): The Little Sweep Op. 4
- Later: XIV. The Night Song: "The owk, wide-winging" (Audience Song III - Audience): The Little Sweep Op. 45
- The Next Morning: XV. Aria: "Soon the coach will carry you away" (Juliet): The Little Sweep Op. 45 (1995 D
- The Next Morning: XVI. Ensemble: "Morning, Sammy" (Children/Sammy): The Little Sweep Op. 45 (1995 Digital
- The Next Morning: XVII. Trio and Ensemble: "Ready, Alfred?" (Tom/Alfred/Miss Baggott/Rowan/Children): The L
- The Next Morning: XVIII. Finale: Coaching Song: "The horses are champing" (Audience Song IV - Omnes/Audienc
- Theme - A Boy was Born: A Boy is Born - choral variations on old carols Op. 3
- Variation I - Lullaby, Jesu: A Boy is Born - choral variations on old carols Op. 3
- Variation II - Herod: A Boy is Born - choral variations on old carols Op. 3
- Variation III - Jesu, as Thou art our Saviour: A Boy is Born - choral variations on old carols Op. 3
- Variations IV - The Three kings: A Boy is Born - choral variations on old carols Op. 3
- Variation V - In the bleak mid-winter: A Boy is Born - choral variations on old carols Op. 3
- Variation VI - Noël!: A Boy is Born - choral variations on old carols Op. 3
- A Shepherd's Carol (Auden)
CD20
- Lord Jesus, think on me: Noye's Fludde, Op.59 The Chester Miricle Play set to music
- I, God, that all this world hath wroughte: Noye's Fludde, Op.59 The Chester Miricle Play set to music
- O, Lorde, I thanke thee lowde and still: Noye's Fludde, Op.59 The Chester Miricle Play set to music
- Now in the name of God I will begyne: Noye's Fludde, Op.59 The Chester Miricle Play set to music
- Wyffe, in this vessell we shall be kepte: Noye's Fludde, Op.59 The Chester Miricle Play set to music
- Noye, Noye, take thou thy company: Noye's Fludde, Op.59 The Chester Miricle Play set to music
- Sir! heare are lions, lepardes, in: Noye's Fludde, Op.59 The Chester Miricle Play set to music
- Wiffe, come in! why standes thou their?: Noye's Fludde, Op.59 The Chester Miricle Play set to music
- It is good for to be still: Noye's Fludde, Op.59 The Chester Miricle Play set to music
- Eternal Father, strong to save: Noye's Fludde, Op.59 The Chester Miricle Play set to music
- Now forty dayes are fullie gone: Noye's Fludde, Op.59 The Chester Miricle Play set to music
- Noye, take thy wife anone: Noye's Fludde, Op.59 The Chester Miricle Play set to music
- Noye, heare I behette thee a heste: Noye's Fludde, Op.59 The Chester Miricle Play set to music
- The spacious firmament on high: Noye's Fludde, Op.59 The Chester Miricle Play set to music
- Heaven-Haven: A.M.D.G. (Hopkins)
- O deus, ego amo te: A.M.D.G. (Hopkins)
- Rosa Mystica: A.M.D.G. (Hopkins)
- The Soldier: A.M.D.G. (Hopkins)
- Prayer II: A.M.D.G. (Hopkins)
- God's Grandeur: A.M.D.G. (Hopkins)
- Prayer I: A.M.D.G. (Hopkins)
- The Ballad of Little Musgrave and Lady Barnard (1995 Digital Remaster)
CD21
- Chaos: The Company of Heaven, Part One
- The Morning Stars: The Company of Heaven, Part One
- Angels appear to Jacob, Elisha and Mary: The Company of Heaven, Part Two
- Christ, the fair glory: The Company of Heaven, Part Two
- War in the heaven: The Company of Heaven, Part Two
- Heaven is here: The Company of Heaven, Part Three
- A thousand, thousand gleaming fires: The Company of Heaven, Part Three
- Funeral march for a Boy: The Company of Heaven, Part Three
- Whoso dwelleth under the defence of the most High: The Company of Heaven, Part Three
- There came out also at this time: The Company of Heaven, Part Three
- Ye watchers and ye holy ones: The Company of Heaven, Part Three
- 1. Funeral March -: Ballad of Heroes, Op.14
- 2. Scherzo (Dance of Death): Ballad of Heroes, Op.14
- 3. Recitative and Choral - Epilogue (Funeral March): Ballad of Heroes, Op.14
- 'Praise we great men' -: Praise We Great Men (1976)
- 'Praise we the just': Praise We Great Men (1976)
- [Coda]: Praise We Great Men (1976)
CD22
- I. Fanfare: Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster)
- II. Villes: Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster)
- IIIa. Phrase: Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster)
- IIIb. Antique: Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster)
- IV. Royauté: Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster)
- V. Marine: Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster)
- VI. Interlude: Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster)
- VII. Being Beauteous: Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster)
- VIII. Parade: Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster)
- IX. Départ: Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster)
- Prologue (horn solo): Serenade for tenor, horn and strings Op. 31
- 1. Pastoral: The day's grown old (Charles Cotton): Serenade for tenor, horn and strings Op. 31
- 2. Nocturne: The splendour falls on castle walls (Alfred, Lord Tennyson): Serenade for tenor, horn and strings Op. 31
- 3. Elegy: O Rose, thou art sick (William Blake): Serenade for tenor, horn and strings Op. 31
- 4. Dirge: This ae nighte (anon. 15th century): Serenade for tenor, horn and strings Op. 31
- 5. Hymn: Queen and huntress (Ben Jonson): Serenade for tenor, horn and strings Op. 31
- 6. Sonnet: O soft embalmer of the still midnight (John Keats): Serenade for tenor, horn and strings Op. 31
- Epilogue (horn solo): Serenade for tenor, horn and strings Op. 31
- Now sleeps the crimson petal
- On a poet's lips I slept (Shelley): Nocturne, Op.60
- Below the thunders of the upper deep (Tennyson) (Robin O'Neill, bassoon): Nocturne, Op.60
- Encinctured with a twine of leaves (Coleridge) (Thelma Owen, harp): Nocturne, Op.60
- Midnight's bell goes ting, ting, ting, ting, ting (Middleton) (Frank Lloyd, french horn): Nocturne, Op.60
- But that night when on my bed I lay (Wordsworth) (David Corkhill, timpani): Nocturne, Op.60
- She sleeps on soft, last breaths (Owen) (James Brown, cor anglais): Nocturne, Op.60
- What is more gentle than a wind in summer? (Keats) (William Bennett, flute; Thea King, clarinet): Nocturne, Op.60
- When most I wink, then do mine eyes best see (Shakespeare): Nocturne, Op.60
CD23
- 1. Nuits de juin (wds. Victor Hugo): Quatre Chansons françaises (1928)
- 2. Sagesse (wds. Paul Verlaine): Quatre Chansons françaises (1928)
- 3. L'Enfance (wds. Victor Hugo): Quatre Chansons françaises (1928)
- 4. Chanson d'automne (wds. Paul Verlaine): Quatre Chansons françaises (1928)
- Prologue: Our Hunting Fathers Op. 8
- A. Rats Away!: Our Hunting Fathers Op. 8
- B. Messalina: Our Hunting Fathers Op. 8
- C. Dance of Death (Hawking for the Partridge): Our Hunting Fathers Op. 8
- Epilogue and Funeral March: Our Hunting Fathers Op. 8
- Little Sir William: Folk Song Arrangement
- Come you not from Newcastle?: Folk Song Arrangement
- The Bonny Earl o' Moray: Folk Song Arrangement
- Oliver Cromwell: Folk Song Arrangement
- In May, in brilliant Athens: Phaedra, Op.93
- Oh Gods of wrath: Phaedra, Op.93
- My time's too short, your highness: Phaedra, Op.93
- La belle est au jardin d'amour: Folk Song Arrangements
- Eho! Eho!: Folk Song Arrangements
- Fileuse: Folk Song Arrangements
- Quand j'étais chez mon père.: Folk Song Arrangements
- Le roi s'en va-t'en chasse (The King goes a-hunting): Folk Song Arrangements
CD24
- 1. Sì come nella penna e nell'inchiostro (XVI): Seven Sonnets of Michelangelo Op. 22 (1993 Digital Remaster)
- 2. A che più debb'io mai l'intensa voglia (XXXI): Seven Sonnets of Michelangelo Op. 22 (1993 Digital Remaster)
- 3. Veggio co' bei vostri occhi un dolce lume (XXX): Seven Sonnets of Michelangelo Op. 22 (1993 Digital Remaster)
- 4. Tu sa' ch'io so, signior mie, che tu sai (LV): Seven Sonnets of Michelangelo Op. 22 (1993 Digital Remaster)
- 5. Rendete a gli occhi miei, o fonte o fiume (XXXVIII): Seven Sonnets of Michelangelo Op. 22 (1993 Digital Remaster)
- 6. S'un casto amor, s'una pietà superna (XXXII): Seven Sonnets of Michelangelo Op. 22 (1993 Digital Remaster)
- 7. Spirto ben nato, in cui si specchia e vede (XXIV): Seven Sonnets of Michelangelo Op. 22 (1993 Digital Remaster)
- 1. Oh my black Soule!: The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster)
- 2. Batter my heart: The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster)
- 3. Oh might those sighes and teares: The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster)
- 4. Oh, to vex me: The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster)
- 5. What if this present: The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster)
- 6. Since she whom I loved: The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster)
- 7. At the round earth's imagined corners: The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster)
- 8. Thou hast made me: The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster)
- 9. Death, be not proud: The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster)
- 1. Let the florid music praise!: On This Island Op. 11 (2000 Digital Remaster)
- 2. Now the leaves are falling fast: On This Island Op. 11 (2000 Digital Remaster)
- 3. Seascape: On This Island Op. 11 (2000 Digital Remaster)
- 4. Nocturne: On This Island Op. 11 (2000 Digital Remaster)
- 5. As it is, plenty: On This Island Op. 11 (2000 Digital Remaster)
- 1. At Day-close in November: Winter Words Op. 52 (2000 Digital Remaster)
- 2. Midnight on the Great Western (or The Journeying Boy): Winter Words Op. 52 (2000 Digital Remaster)
- 3. Wagtail and Baby (A Satire): Winter Words Op. 52 (2000 Digital Remaster)
- 4. The Little Old Table: Winter Words Op. 52 (2000 Digital Remaster)
- 5. The Choirmaster's Burial (or The Tenor Man's Story): Winter Words Op. 52 (2000 Digital Remaster)
- 6. Proud Songsters (Thrushes, Finches and Nightingales): Winter Words Op. 52 (2000 Digital Remaster)
- 7. At the Railway Station, Upway (or The Convict and Boy with the Violin): Winter Words Op. 52 (2000 Digital Remaster)
- 8. Before Life and After: Winter Words Op. 52 (2000 Digital Remaster)
CD25
- My beloved is mine Op. 40: Canticle I
- Abraham and Isaac Op. 51: Canticle II
- Still falls the rain Op. 55: Canticle III
- Journey of the Magi Op. 86: Canticle IV
- The Death of Saint Narcissus Op. 89: Canticle V
- The plough boy: Folk Song Arrangements
- The Salley Gardens: Folksong Arrangements
- The foggy, foggy dew: Folk Song Arrangements
- There's none to soothe: Folk Song Arrangements
- O waly, waly: Folk Song Arrangements
- The ash grove: Folk Song Arrangements
- Greensleves: Folk Song Arrangements
CD26
- The Children and Sir Nameless: Two songs by Thomas Hardy
- If it's ever spring again: Two songs by Thomas Hardy
- 1. Beware! (Henry Longfellow, from the German): Beware! - Three Early Songs
- 2. O that I had ne'er been married (Robert Burns): Beware! - Three Early Songs
- 3. Epitaph: The Clerk (Herbert Asquith): Beware! - Three Early Songs
- Not even summer yet
- To lie flat on the back: Two songs by W. H. Auden
- Night covers up the rigid land: Two songs by W. H. Auden
- The Oxen (Christmas eve, and twelve of the clock)
- Dawtie's Devotion: Three rhymes by William Soutar
- Tradition: Three rhymes by William Soutar
- The Gully: Three rhymes by William Soutar
- A Song of Enchantment: Tit for Tat
- Silver: Tit for Tat
- Tit for Tat: Tit for Tat
- Mother Comfort (wds. M. Slater): 2 Ballads
- Underneath the abject willow (wds. W. H. Auden): 2 Ballads
- Sweet Polly Oliver (2000 Digital Remaster): Folk Song Arrangement
- The Minstrel Boy (2000 Digital Remaster): Folk Song Arrangement
- The Brisk Young Widow (2000 Digital Remaster): Folk Song Arrangement
- Ca' the Yowes (2000 Digital Remaster): Folk Song Arrangement
- The Lincolnshire Poacher (2000 Digital Remaster): Folk Song Arrangement
- O can ye sew cushions? (2000 Digital Remaster): Folk Song Arrangement
- The trees they grow so high (2000 Digital Remaster): Folk Song Arrangement
- Early one morning: Folk Song Arrangements
- How sweet the answer: Folk Song Arrangements
- Voici le printemps: Folk Song Arrangements
- The last rose of summer: Folk Song Arrangements
- Dear harp of my country: Folk Song Arrangements
- Oft in the stilly night: Folk Song Arrangements
CD27
- The Queen's Epicedium (1980 Digital Remaster)
- Sound the Trumpet: Come ye sons of art away Z323
- I attempt from love's sickness to fly (Dryden/Howard): The Indian Queen Z630
- Lost is my quiet for ever Z502
- Fairest Isle (Dryden): King Arthur Z628
- What can we poor females do Z518
- I'll sail upon the Dog-star (Thomas D'Urfey) Z571.6: Three realizations of Henry Purcell
- The Knotting Song (Charles Sedley) Z371: Three realizations of Henry Purcell
- Man is for the woman made (Peter Anthony Motteux) Z605.3: Three realizations of Henry Purcell
- 1. Let sullen discord smile (Nahum Tate) Z321.6: Suite of Songs from 'Orpheus Britannicus'
- 2. Why should men quarrel? (John Dryden & Sir Robert Howard) Z630.4d: Suite of Songs from 'Orpheus Britannicus'
- 3. So when the glittering Queen of Night (Thomas D'Urfey) Z333.11: Suite of Songs from 'Orpheus Britannicus'
- 4. Thou tun'st this world (Nicholas Brady) Z328.6: Suite of Songs from 'Orpheus Britannicus'
- 5a. 'Tis holiday (Nahum Tate) Z321.5 - 5b. Sound Fame thy brazen trumpet (Thomas Betterton & John Dryden) Z627.22:
- We are the darkness in the heat of the day (The Heart of the Matter): Song
- Frühlingsnacht: Liederkreis Op. 39 (orch. Britten)
CD28
- 1. Introduction (orch.): Paul Bunyan - An operetta in two acts and a prologue Op. 17
- Since the birth of the earth (Chorus of Old Trees) -: Paul Bunyan - An operetta in two acts and a prologue Op. 17, 2. P
- No. No. We do not want life to be slow (Four Young Trees, Chorus of Old Trees) -: Paul Bunyan - An operetta in two acts
- Ooh! Ooh! O how terrible to be as old fashioned as a tree (Three Wild Geese) -: Paul Bunyan - An operetta in two acts a
- You are all to leave here (Wild Geese, Young Trees, Old Trees) -: Paul Bunyan - An operetta in two acts and a prologue
- It isn't very often the conservatives are wrong (Wild Geese)...But once in a while the odd thing happens (Old Trees, Yo
- 2a. First Ballad Interlude: The cold wind blew through the crooked thorn (Narrator): Paul Bunyan - An operetta in two a
- 3. Bunyan's Greeting (Voice of Paul Bunyan): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene
- 3a. Call of Lumberjacks (Lumberjacks): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 1 (A c
- 4. Lumberjacks' Chorus: My birthplace was in Sweden (Lumberjacks): Paul Bunyan - An operetta in two acts and a prologue
- 4a. Bunyan's Welcome (Bunyan): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 1 (A clearing
- 5. Quartet of Swedes: Swedish born and Swedish bred (Four Swedes, Bunyan, chorus): Paul Bunyan - An operetta in two act
- 6. Western Union Boy's Song: A telegram from oversea (Western Union Boy, chorus, Bunyan, Hel, Sam, Ben): Paul Bunyan -
- 7. Cooks' Duet: Sam for soups. Ben for beans (Sam, Ben, Inkslinger, Bunyan): Paul Bunyan - An operetta in two acts and
- 8. Animal Trio: Ah! Miaou! The single creature lives a partial life (Fido, Moppet, Poppet): Paul Bunyan - An operetta i
- 8a. Bunyan's Goodnight (i) (Bunyan): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 1 (A cle
- 8b. Exit of Lumberjacks: Down the line...Timberrr (Lumberjacks): Paul Bunyan - An operetta in two acts and a prologue O
- 9. The Blues: Gold in the North came the blizzard to say (Bunyan, Quartet of the Defeated, Inkslinger): Paul Bunyan - A
- 10. Bunyan's Goodnight (ii) (Bunyan): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 1 (A cl
- 10a. Second Ballad Interlude: The Spring came and the Summer and Fall (Narrator): Paul Bunyan - An operetta in two acts
- 11. Food Chorus: Do I look the sort of fellow (chorus, Inkslinger, Sam, Ben): Paul Bunyan - An operetta in two acts and
- 12. Chorus Accusation: There now look what you have done (Cross, Inkslinger, Jen, Pete, Andy, chorus): Paul Bunyan - An
- 12a. Slim's Song: In fair days and in foul...I come from open spaces (Slim, Inkslinger, Poppet, Fido, Moppet, Four Swed
- 13. Bunyan's Return: Look, the Chief is back (chorus, Inkslinger, Fido): Paul Bunyan - An operetta in two acts and a pr
- 14. Inkslinger's Song: It was out in the sticks (Inkslinger): Paul Bunyan - An operetta in two acts and a prologue Op.
- 14a. Entrance of Chorus (Pete, Andy, Jen, Cross): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, S
- 15. Tiny's Entrance (Ben, Sam, Cross, Andy, Shears): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I
- 15a. Tiny's Song: Ah!...Whether the sun shine upon children playing (Tiny, Inkslinger, chorus, Slim): Paul Bunyan - An
- 16. Inkslinger's Regret: All the little brooks of love (Inkslinger, Bunyan, chorus): Paul Bunyan - An operetta in two a
- 17. Bunyan's Goodnight (iii) (Bunyan): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 2 (The
CD29
- 18. Bunyan's Good Morning (Bunyan, chorus): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene
- 18a. Shears' Song: It has always been my dream (Shears, Bunyan, Hel): Paul Bunyan - An operetta in two acts and a prolo
- 18b. Bunyan's Warning (Bunyan): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene 1 (A clearin
- 19. Farmers' Song: The shanty-boy invades the wood (Shears, Solo II, Farmers): Paul Bunyan - An operetta in two acts an
- 19a. Farmers' Exit (orch., Four Cronies of Hel Helson, Hel): Paul Bunyan - An operetta in two acts and a prologue Op. 1
- 20. The Mocking of Hel Helson: Heron, heron winging by (Hel, Heron, chorus, Moon, Wind, Beetle, Squirrel, Moppet, Poppe
- 21. Fido's Sympathy: Won't you tell me what's the matter? (Fido, Hel): Paul Bunyan - An operetta in two acts and a prol
- 22. Cats' Creed: Let Man the romantic in vision espy (Moppet, Poppet, Bunyan, Cronies, Hel): Paul Bunyan - An operetta
- 23. The Fight: What is it? What's happening? (chorus): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act
- 23a. Love Duet: Move, move from the trysting stone (Slim, Tiny, chorus): Paul Bunyan - An operetta in two acts and a pr
- 23b. Mock Funeral March: Take away the body and lay it on the ice (chorus, Cronies, Helson, Bunyan: Paul Bunyan - An op
- 23c. Hymn: O great day of discovery! (Bunyan, chorus, Hel, Tiny, Slim: Paul Bunyan - An operetta in two acts and a prol
- 24. Third Ballad Interlude: So Helson smiled and Bunyan smiled (Narrator): Paul Bunyan - An operetta in two acts and a
- Rah! Another slice of turkey (chorus, Fido, Moppet, Poppet) -: Paul Bunyan - An operetta in two acts and a prologue Op.
- Dear friends, with your leave (Inkslinger, chorus) -: Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act
- Carry her over the water (Tenor I, Tenor II, Baritone, Fido, Moppet, Poppet, chorus) -: Paul Bunyan - An operetta in tw
- Where we are is not very far (Tiny, Slim, Inkslinger, chorus, Hel, Shears, Western Union Boy) -: Paul Bunyan - An opere
- A telegram from Hollywood (Western Union Boy, Inkslinger) -: Paul Bunyan - An operetta in two acts and a prologue Op. 1
- We always knew that one day you (chorus, Inkslinger): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act
- 26. Bunyan's Farewell (Bunyan): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene 2 (The Chris
- 27. Litany: The campfire embers are black and cold (chorus, Fido, Moppet, Poppet, Tiny, Slim, Bunyan, Hel, Inkslinger):
CD30
- Peter Grimes (Hobson/Swallow/Peter): Peter Grimes Op. 33, PROLOGUE
- You sailed your boat round the coast (Swallow/Peter/Mrs Sedley/Chorus/Hobson/Ellen): Peter Grimes Op. 33, PROLOGUE
- Peter Grimes, I here advise you! (Swallow/Chorus/Hobson/Peter): Peter Grimes Op. 33, PROLOGUE
- The truth ... the pity (Peter/Ellen): Peter Grimes Op. 33, PROLOGUE
- Interlude I: Dawn: Peter Grimes Op. 33, PROLOGUE
- Oh hang at open doors the net (Chorus/1st Fisherman/Auntie/Boles/Balstrode/2nd Fisherman/Rector/Nieces/Mrs Sedley/Swall
- Hi! Give us a hand (Peter/Boles/Balstrode/Ned/Auntie/Hobson): Peter Grimes Op. 33, ACT 1 Scene 1
- I have to go from pub to pub (Hobson/Chorus/Ellen/Ned): Peter Grimes Op. 33, ACT 1 Scene 1
- Let her among you without fault cast the first stone (Ellen/Hobson/Mrs Sedley/Ned): Peter Grimes Op. 33, ACT 1 Scene 1
- Look! The storm cone! (Balstrode/Chorus/Ned/Boles): Peter Grimes Op. 33, ACT 1 Scene 1
- And do you prefer the storm: Peter Grimes Op. 33, ACT 1 Scene 1
- They listen to money (Balstrode/Peter): Peter Grimes Op. 33, ACT 1 Scene 1
- What harbour shelters peace (Peter): Peter Grimes Op. 33, ACT 1 Scene 1
- Interlude II: Storm: Peter Grimes Op. 33, ACT 1 Scene 1
- Past time to close! (Auntie/Mrs Sedley/Balstrode/Boles/Nieces/Fisherman): Peter Grimes Op. 33, ACT 1 Scene 2
- Come on, boy! (Balstrode/Chorus): Peter Grimes Op. 33, ACT 1 Scene 2
- Have you heard? The cliff is down (Ned/Auntie/Mrs Sedley/Balstrode/Chorus): Peter Grimes Op. 33, ACT 1 Scene 2
- Now the Great Bear and Pleiades (Peter/Chorus/Nieces/Boles/Balstrode/Auntie): Peter Grimes Op. 33, ACT 1 Scene 2
- Old Joe has gone fishing (Ned/Chorus/Peter): Peter Grimes Op. 33, ACT 1 Scene 2
- The bridge is down (Hobson/Ned/Ellen/Boles/Auntie/Nieces/Peter): Peter Grimes Op. 33, ACT 1 Scene 2
- Interlude III: Sunday morning: Peter Grimes Op. 33, ACT 2
- Glitter of waves and glitter of sunlight (Ellen/Chorus/Rector): Peter Grimes Op. 33, Scene 1
- Child you're not too young to know (Ellen/Chorus/Rector/Peter): Peter Grimes Op. 33, Scene 1
- This unrelenting work (Ellen/Peter/Chorus): Peter Grimes Op. 33, Scene 1
CD31
- Fool to let it come to this! (Auntie/Ned/Boles/Chorus/Mrs Sedley/Balstrode/Lawyer/Swallow/Fisherwoman/Nices/Rector): Pe
- People! ... No! I will speak! (Boles/Chorus/Balstrode/Rector/Auntie/Ellen): Peter Grimes Op. 33, Scene 1
- We planned that their lives should have a new start (Ellen/Rector/Mrs Sedley/Boles/Ned/Nieces/Auntie/Balstrode/Hobson/S
- Now is gossip put on trial (Chorus/Mrs Sedley/Boles/Rector/Ned/Swallow): Peter Grimes Op. 33, Scene 1
- From the gutter (Nieces/Auntie/Ellen): Peter Grimes Op. 33, Scene 1
- Interlude IV: Passacaglia: Peter Grimes Op. 33, Scene 1
- Go there!: Peter Grimes Op. 33, Scene 2
- In dreams I've built myself some kindlier home (Peter): Peter Grimes Op. 33, Scene 2
- Now! ... Now! (Chorus/Peter/Boles/Rector/Swallow/Ned): Peter Grimes Op. 33, Scene 2
- Peter Grimes! Nobody there? (Rector/Swallow/Ned): Peter Grimes Op. 33, Scene 2
- Interlude V: Moonlight: Peter Grimes Op. 33, ACT 3
- Assign your prettiness to me (Swallow/Nieces/Ned): Peter Grimes Op. 33, Scene 1
- Mister Keene! Mister Keene! Can you spare a moment (Mrs Sedley/Ned): Peter Grimes Op. 33, Scene 1
- Come along, Doctor! (First Burgess/Burgesses/Rector/Mrs Sedley/Ellen/Balstrode): Peter Grimes Op. 33, Scene 1
- Embroidery in childhood was a luxury of idleness (Ellen/Balstrode): Peter Grimes Op. 33, Scene 1
- Mister Swallow! Mister Swallow! (Mrs Sedley/Auntie/Swallow/Hobson): Peter Grimes Op. 33, Scene 1
- Who holds himself apart, lets pride rise (Chorus): Peter Grimes Op. 33, Scene 1
- Interlude VI: Peter Grimes Op. 33, Scene 1
- Grimes! Grimes! (Chorus/Peter): Peter Grimes Op. 33, Scene 2
- Peter, we've come to take you home (Ellen/Peter/Balstrode): Peter Grimes Op. 33, Scene 2
- To those who pass the Borough (Chorus/Swallow/Fisherman/Auntie/Boles): Peter Grimes Op. 33, Scene 2
CD32
- Prologue (Prologue): The Turn of the Screw Op. 54, ACT ONE
- Theme: The Turn of the Screw Op. 54, ACT ONE
- Scene 1 : The Journey (Governess): The Turn of the Screw Op. 54, ACT ONE
- Variation I: The Turn of the Screw Op. 54, ACT ONE
- Scene 2 : The Welcome (Governess/Mrs. Grose/Miles/Flora): The Turn of the Screw Op. 54, ACT ONE
- Variation II: The Turn of the Screw Op. 54, ACT ONE
- Scene 3 : The Letter (Governess/Mrs. Grose/Miles/Flora): The Turn of the Screw Op. 54, ACT ONE
- Variation III: The Turn of the Screw Op. 54, ACT ONE
- Scene 4 : The Tower (Governess/Quint): The Turn of the Screw Op. 54, ACT ONE
- Variation IV: The Turn of the Screw Op. 54, ACT ONE
- Scene 5 : The Window (Governess/Mrs. Grose/Miles/Flora/Quint): The Turn of the Screw Op. 54, ACT ONE
- Variation V: The Turn of the Screw Op. 54, ACT ONE
- Scene 6 : The Lesson (Governess/Miles/Flora): The Turn of the Screw Op. 54, ACT ONE
- Variation VI: The Turn of the Screw Op. 54, ACT ONE
- Scene 7 : The Lake (Governess/Miles/Flora): The Turn of the Screw Op. 54, ACT ONE
- Variation VII: The Turn of the Screw Op. 54, ACT ONE
- Scene 8 : At Night (Governess/Mrs. Grose/Miles/Flora/Quint/Miss Jessel): The Turn of the Screw Op. 54, ACT ONE
CD33
- Variation VIII: The Turn of the Screw Op. 54, ACT TWO
- Scene 1 : Colloquy and Soliloquy (Governess/Quint/Miss Jessel): The Turn of the Screw Op. 54, ACT TWO
- Variation IX: The Turn of the Screw Op. 54, ACT TWO
- Scene 2 : The Bells (Governess/Mrs. Grose/Miles/Flora): The Turn of the Screw Op. 54, ACT TWO
- Variation X: The Turn of the Screw Op. 54, ACT TWO
- Scene 3 : Miss Jessel (Governess/Miss Jessel): The Turn of the Screw Op. 54, ACT TWO
- Variation XI: The Turn of the Screw Op. 54, ACT TWO
- Scene 4 : The Bedroom (Governess/Miles/Quint): The Turn of the Screw Op. 54, ACT TWO
- Variation XII: The Turn of the Screw Op. 54, ACT TWO
- Scene 5 : Quint (Quint): The Turn of the Screw Op. 54, ACT TWO
- Variation XIII: The Turn of the Screw Op. 54, ACT TWO
- Scene 6 : The Piano (Governess/Mrs. Grose/Flora): The Turn of the Screw Op. 54, ACT TWO
- Variation XIV: The Turn of the Screw Op. 54, ACT TWO
- Scene 7 : Flora (Governess/Mrs. Grose/Flora/Miss Jessel): The Turn of the Screw Op. 54, ACT TWO
- Variation XV: The Turn of the Screw Op. 54, ACT TWO
- Scene 8 : Miles (Governess/Mrs. Grose/Miles/Quint): The Turn of the Screw Op. 54, ACT TWO
CD34
- Over hill, over dale (Fairies/Puck): A Midsummer Night's Dream Op. 64, ACT ONE, Introduction
- Oberon is passing fell and wrath (Fairies/Oberon/Tytania): A Midsummer Night's Dream Op. 64, ACT ONE
- Well, go thy way (Oberon/Puck): A Midsummer Night's Dream Op. 64, ACT ONE
- How now my love? (Lysander/Hermia): A Midsummer Night's Dream Op. 64, ACT ONE
- Be it on lion, bear, or wolf, or bull (Oberon/Demetrius/Helena): A Midsummer Night's Dream Op. 64, ACT ONE
- Welcome wanderer! ... I know a bank (Oberon): A Midsummer Night's Dream Op. 64, ACT ONE
- Is all our company here? (Quince/Bottom/Flute/Snout/Starveling/Snug): A Midsummer Night's Dream Op. 64, ACT ONE
- Fair love, you faint with wand'ring in the wood (Lysander/Hermia): A Midsummer Night's Dream Op. 64, ACT ONE
- Through the frost have I gone (Puck/Hermia): A Midsummer Night's Dream Op. 64, ACT ONE
- Stay, thou thou kill me, sweet Demetrius (Helene/Demetrius/Lysander/Hermia): A Midsummer Night's Dream Op. 64, ACT ONE
- Come, now a roundel and a fairy song (Tytania): A Midsummer Night's Dream Op. 64, ACT ONE
- You spotted snakes with double tongues (Fairies): A Midsummer Night's Dream Op. 64, ACT ONE
- What thou seest when thou dost wake (Oberon): A Midsummer Night's Dream Op. 64, ACT ONE
- Introduction: A Midsummer Night's Dream Op. 64, ACT TWO
- Are we all met? (Bottom/Flute/Snout/Starveling/Snug/Quince/Puck): A Midsummer Night's Dream Op. 64, ACT TWO
- I see their knavery (Bottom/Tytania/Solo fairies): A Midsummer Night's Dream Op. 64, ACT TWO
- Be kind and courteous to this gentleman (Tytania): A Midsummer Night's Dream Op. 64, ACT TWO
- Hail! mortal, hail! (Solo fairies/Bottom/Tytania): A Midsummer Night's Dream Op. 64, ACT TWO
- I have reas'nable good ear in music (Bottom/Tytania): A Midsummer Night's Dream Op. 64, ACT TWO
- How now, mad spirit? (Oberon/Puck/Demetrius/Hermia): A Midsummer Night's Dream Op. 64, ACT TWO
CD35
- Flower of this purple dye (Oberon/Puck/Lysander/Helena/Demetrius/Hermia): A Midsummer Night's Dream Op. 64, ACT TWO
- Puppet? Why, so? Ay, that way goes the game (Hermia/Helena/Lysander/Demetrius): A Midsummer Night's Dream Op. 64, ACT T
- This is thy negligence (Oberon/Puck): A Midsummer Night's Dream Op. 64, ACT TWO
- Up and down, up and down (Puck/Lysander/Demetrius/Helena/Hermia): A Midsummer Night's Dream Op. 64, ACT TWO
- On the ground, sleep sound (Fairies): A Midsummer Night's Dream Op. 64, ACT TWO
- My gentle Robin, see'st thou this sweet sight? (Oberon/Tytania/Puck): A Midsummer Night's Dream Op. 64, ACT THREE, Intr
- Helena! Hermia! Demetrius! Lysander! (Demetrius/Lysander/Helena/Hermia): A Midsummer Night's Dream Op. 64, ACT THREE
- When my cue comes, call me (Bottom): A Midsummer Night's Dream Op. 64, ACT THREE
- Have you sent to Bottom's house? (Quince/Starveling/Flute/Snout/Snug/Bottom): A Midsummer Night's Dream Op. 64, ACT THR
- Now, fair Hippolyta (Theseus/Hippolyta/Hermia/Lysander/Demetrius): A Midsummer Night's Dream Op. 64, ACT THREE
- If we offend, it is with our good will (Rustics): A Midsummer Night's Dream Op. 64, ACT THREE
- Gentles, perchance you wonder at this show (Prologue: Quince): A Midsummer Night's Dream Op. 64, ACT THREE
- In this same interlude it doth befall (Wall: Snout): A Midsummer Night's Dream Op. 64, ACT THREE
- O grim-look'd night, O night with hue so black (Pyramus: Bottom): A Midsummer Night's Dream Op. 64, ACT THREE
- O wall, full often has thou heard my moans (Thisby: Flute/Pyramus/Wall): A Midsummer Night's Dream Op. 64, ACT THREE
- You ladies, you whose gemtle hearts do fear (Lion: Snug): A Midsummer Night's Dream Op. 64, ACT THREE
- This lanthorn doth the horned moon present (Moonshine: Starveling/Thisby/Lion): A Midsummer Night's Dream Op. 64, ACT T
- Sweet moon, I thank thee for thy sunny beams (Pyramus): A Midsummer Night's Dream Op. 64, ACT THREE
- Asleep, my love? (Thisby/Bottom): A Midsummer Night's Dream Op. 64, ACT THREE
- Come, your Bergomask (Theseus): A Midsummer Night's Dream Op. 64, ACT THREE
- Now the hungry lions roars (Solo fairies/Puck/Oberon/Tytania/Fairies): A Midsummer Night's Dream Op. 64, ACT THREE
CD36
- abridged) (1993 Digital Remaster), ACT 1 Scene 1: Rome is now ruled by the Etruscan upstart (Male Chorus): The Rape of
- abridged) (1993 Digital Remaster), ACT 1 Scene 1: It is an axiom among kings (Female & Male Chorus): The Rape of Lu
- abridged) (1993 Digital Remaster), ACT 1 Scene 1: Here the thirsty evening (Male Chorus/Collatinus/Junius/Tarquinius):
- abridged) (1993 Digital Remaster), ACT 1 Scene 1: Lucretia! Lucretia! (Junius/Male Chorus/Collatinus): The Rape of Lucr
- abridged) (1993 Digital Remaster), ACT 1 Scene 1: With you two arm in arm again (Collatinus/Tarquinius/Junius): The Rap
- abridged) (1993 Digital Remaster), ACT 1 Scene 1: Interlude: Tarquinius does not wait (Male Chorus): The Rape of Lucret
- abridged) (1993 Digital Remaster), ACT 1 Scene 2: Their spinning wheel unwinds (Female Chorus/Lucretia/Bianca/Lucia): T
- abridged) (1993 Digital Remaster), ACT 1 Scene 2: It is better to desire (Bianca/Lucretia/Lucia/Female Chorus): The Rap
- abridged) (1993 Digital Remaster), ACT 1 Scene 2: The oatmeal slippers of sleep (Female & Male Chorus): The Rape of
- abridged) (1993 Digital Remaster), ACT 1 Scene 2: None of the women move (Female Chorus/Tarquinius/Male Chorus/Bianca/L
- abridged) (1993 Digital Remaster), ACT 2 Scene 1: She sleeps as a rose (Female & Male Chorus): The Rape of Lucretia
- abridged) (1993 Digital Remaster), ACT 2 Scene 1: Lucretia! ... What do you want? (Tarquinius/Lucretia): The Rape of Lu
- abridged) (1993 Digital Remaster), ACT 2 Scene 1: Go, Tarquinius! (Female & Male Chorus/Tarquinius/Lucretia): The R
- abridged) (1993 Digital Remaster), ACT 2 Scene 1: Interlude: Here in this scene you see (Female & Male Chorus): The
- abridged) (1993 Digital Remaster), ACT 2 Scene 2: Oh! What a lovely day! (Lucia/Bianca): The Rape of Lucretia Op. 37 (r
- abridged) (1993 Digital Remaster), ACT 2 Scene 2: How hideous! Take them away! (Lucretia/Bianca/Lucia): The Rape of Luc
- abridged) (1993 Digital Remaster), ACT 2 Scene 2: Flowers bring to every year (Lucretia/ Bianca): The Rape of Lucretia
- abridged) (1993 Digital Remaster), ACT 2 Scene 2: Too late, Junius (Collatinus/Lucretia): The Rape of Lucretia Op. 37 (
- abridged) (1993 Digital Remaster), ACT 2 Scene 2: This dead hand lets fall (Collatinus/Junius/Lucia/Bianca/Female &
- abridged) (1993 Digital Remaster), ACT 2 Scene 2: Is all this suffering and pian (Female & Male Chorus): The Rape o
- CD37
- Whatever you say ... Let her among you without fault cast the first stone (Ellen): Peter Grimes, Op.33 (1993 Digital Re
- Now the Great Bear and Pleiades (Peter): Peter Grimes, Op.33 (1993 Digital Remaster), Act 1 Scene 2
- Interlude III: Sunday morning (orchestra): Peter Grimes, Op.33 (1993 Digital Remaster), Act 1 Scene 2
- Glitter of waves and glitter of sunlight (Ellen/Chorus): Peter Grimes, Op.33 (1993 Digital Remaster), Act 2 Scene 1
- Wherefore, I pray and beseech you (Rector/Chorus/Ellen): Peter Grimes, Op.33 (1993 Digital Remaster), Act 2 Scene 1
- O all ye works of the Lord (Chorus/Ellen/Peter): Peter Grimes, Op.33 (1993 Digital Remaster), Act 2 Scene 1
- In dreams I've built myself some kindlier home (Peter): Peter Grimes, Op.33 (1993 Digital Remaster), Act 2 Scene 2
- Embroidery in childhood was a luxury of idleness (Ellen): Peter Grimes, Op.33 (1993 Digital Remaster), Act 3 Scene 1
- Interlude VI (orchestra): Peter Grimes, Op.33 (1993 Digital Remaster), Act 3 Scene 1
- Grimes! ... Steady. There you are (Chorus/Peter/Ellen): Peter Grimes, Op.33 (1993 Digital Remaster), Act 3 Scene 2
- Folk Song Arrangements The plough boy (1993 Digital Remaster)
- Folk Song Arrangements Come you not from Newcastle? (1993 Digital Remaster)
- Folk Song Arrangements The foggy foggy dew (1993 Digital Remaster)
- Le roi s'en va-t'en chasse (The King goes a-hunting): Folk Song Arrangements
- Folk Song Arrangements O waly waly (1993 Digital Remaster)