Complete Beethoven (CD35)
Daniel BarenboimCD1
- Piano Sonata No. 1 in F minor, op. 2 no. 1 - I. Allegro
- Piano Sonata No. 1 in F minor, op. 2 no. 1 - II. Adagio
- Piano Sonata No. 1 in F minor, op. 2 no. 1 - III. Menuetto: Allegretto – Trio
- Piano Sonata No. 1 in F minor, op. 2 no. 1 - IV. Prestissimo
- Piano Sonata No. 2 in A major, op. 2 no. 2 - I. Allegro vivace
- Piano Sonata No. 2 in A major, op. 2 no. 2 - II. Largo appassionato
- Piano Sonata No. 2 in A major, op. 2 no. 2 - III. Scherzo: Allegretto – Trio
- Piano Sonata No. 2 in A major, op. 2 no. 2 - IV. Rondo: Grazioso
- Piano Sonata No. 3 in C major, op. 2 no. 3 - I. Allegro con brio
- Piano Sonata No. 3 in C major, op. 2 no. 3 - II. Adagio
- Piano Sonata No. 3 in C major, op. 2 no. 3 - III. Scherzo: Allegro – Trio
- Piano Sonata No. 3 in C major, op. 2 no. 3 - IV. Allegro assai
CD2
- Piano Sonata No. 5 in C minor, op. 10 no. 1 - I. Allegro molto e con brio
- Piano Sonata No. 5 in C minor, op. 10 no. 1 - II. Adagio molto
- Piano Sonata No. 5 in C minor, op. 10 no. 1 - III. Finale: Prestissimo
- Piano Sonata No. 6 in F major, op. 10 no. 2 - I. Allegro
- Piano Sonata No. 6 in F major, op. 10 no. 2 - II. Allegretto
- Piano Sonata No. 6 in F major, op. 10 no. 2 - III. Presto
- Piano Sonata No. 7 in D major, op. 10 no. 3 - I. Presto
- Piano Sonata No. 7 in D major, op. 10 no. 3 - II. Largo e mesto
- Piano Sonata No. 7 in D major, op. 10 no. 3 - III. Menuetto: Allegro – Trio
- Piano Sonata No. 7 in D major, op. 10 no. 3 - IV. Rondo: Allegro
- Piano Sonata No. 22 in F major, op. 54 - I. In tempo d’un menuetto
- Piano Sonata No. 22 in F major, op. 54 - II. Allegretto – Più allegro
CD3
- Piano Sonata No. 4 in E-flat major, op. 7 - I. Allegro molto e con brio
- Piano Sonata No. 4 in E-flat major, op. 7 - II. Largo, con gran espressione
- Piano Sonata No. 4 in E-flat major, op. 7 - III. Allegro
- Piano Sonata No. 4 in E-flat major, op. 7 - IV. Rondo: Poco allegretto e grazioso
- Piano Sonata No. 9 in E major, op. 14 no. 1 - I. Allegro
- Piano Sonata No. 9 in E major, op. 14 no. 1 - II. Allegretto
- Piano Sonata No. 9 in E major, op. 14 no. 1 - III. Rondo: Allegro comodo
- Piano Sonata No. 10 in G major, op. 14 no. 2 - I. Allegro
- Piano Sonata No. 10 in G major, op. 14 no. 2 - II. Andante
- Piano Sonata No. 10 in G major, op. 14 no. 2 - III. Scherzo: Allegro assai
CD4
- Piano Sonata No. 11 in B-flat major, op. 22 - I. Allegro con brio
- Piano Sonata No. 11 in B-flat major, op. 22 - II. Adagio con molt’espressione
- Piano Sonata No. 11 in B-flat major, op. 22 - III. Menuetto
- Piano Sonata No. 11 in B-flat major, op. 22 - IV. Rondo: Allegretto
- Piano Sonata No. 12 in A-flat major, op. 26 - I. Andante con variazioni 9.36
- Piano Sonata No. 12 in A-flat major, op. 26 - II. Scherzo: Allegro molto – Trio
- Piano Sonata No. 12 in A-flat major, op. 26 - III. Marcia funebre sulla morte d’un eroe
- Piano Sonata No. 12 in A-flat major, op. 26 - IV. Allegro
- Piano Sonata No. 13 in E-flat major, op. 27 no. 1 - I. Andante – Allegro – Tempo I
- Piano Sonata No. 13 in E-flat major, op. 27 no. 1 - II. Allegro molto e vivace
- Piano Sonata No. 13 in E-flat major, op. 27 no. 1 - III. Adagio con espressione
- Piano Sonata No. 13 in E-flat major, op. 27 no. 1 - Allegro vivace – Presto
CD5
- Piano Sonata No. 8 in C minor, op. 13 ‘Pathétique’ - I. Grave – Allegro di molto e con brio
- Piano Sonata No. 8 in C minor, op. 13 ‘Pathétique’ - II. Adagio cantabile
- Piano Sonata No. 8 in C minor, op. 13 ‘Pathétique’ - III. Rondo: Allegro
- Piano Sonata No. 14 in C-sharp minor, op. 27 no. 2 ‘Moonlight’ - I. Adagio sostenuto
- Piano Sonata No. 14 in C-sharp minor, op. 27 no. 2 ‘Moonlight’ - II. Allegretto – Trio
- Piano Sonata No. 14 in C-sharp minor, op. 27 no. 2 ‘Moonlight’ - III. Presto agitato
- Piano Sonata No. 23 in F minor, op. 57 ‘Appassionata’ - I. Allegro assai
- Piano Sonata No. 23 in F minor, op. 57 ‘Appassionata’ - II. Andante con moto
- Piano Sonata No. 23 in F minor, op. 57 ‘Appassionata’ - III. Allegro, ma non troppo – Presto
CD6
- Piano Sonata No. 15 in D major, op. 28 ‘Pastorale’ - I. Allegro
- Piano Sonata No. 15 in D major, op. 28 ‘Pastorale’ - II. Andante
- Piano Sonata No. 15 in D major, op. 28 ‘Pastorale’ - III. Scherzo: Allegro vivace – Trio
- Piano Sonata No. 15 in D major, op. 28 ‘Pastorale’ - IV. Rondo: Allegro, ma non troppo
- Piano Sonata No. 21 in C major, op. 53 ‘Waldstein’ - I. Allegro con brio
- Piano Sonata No. 21 in C major, op. 53 ‘Waldstein’ - II. Introduzione: Adagio molto, III. Rondo: Allegretto moderato – Prestissimo
- Piano Sonata No. 19 in G minor, op. 49 no. 1 - I. Andante
- Piano Sonata No. 19 in G minor, op. 49 no. 1 - II. Rondo: Allegro
- Piano Sonata No. 20 in G major, op. 49 no. 2 - I. Allegro ma non troppo
- Piano Sonata No. 20 in G major, op. 49 no. 2 - II. Tempo di menuetto
CD7
- Piano Sonata No. 16 in G major, op. 31 no. 1 - I. Allegro vivace
- Piano Sonata No. 16 in G major, op. 31 no. 1 - II. Adagio grazioso
- Piano Sonata No. 16 in G major, op. 31 no. 1 - III. Rondo: Allegretto
- Piano Sonata No. 17 in D minor, op. 31 no. 2 ‘Tempest’ - I. Largo – Allegro
- Piano Sonata No. 17 in D minor, op. 31 no. 2 ‘Tempest’ - II. Adagio
- Piano Sonata No. 17 in D minor, op. 31 no. 2 ‘Tempest’ - III. Allegretto
- Piano Sonata No. 18 in E-flat major, op. 31 no. 3 - I. Allegro
- Piano Sonata No. 18 in E-flat major, op. 31 no. 3 - II. Scherzo: Allegretto vivace
- Piano Sonata No. 18 in E-flat major, op. 31 no. 3 - III. Menuetto: Moderato e grazioso – Trio
- Piano Sonata No. 18 in E-flat major, op. 31 no. 3 - IV. Presto con fuoco
CD8
- Piano Sonata No. 24 in F-sharp major, op. 78 - I. Adagio cantabile – Allegro ma non troppo
- Piano Sonata No. 24 in F-sharp major, op. 78 - II. Allegro vivace
- Piano Sonata No. 25 in G major, op. 79 - I. Presto alla tedesca
- Piano Sonata No. 25 in G major, op. 79 - II. Andante
- Piano Sonata No. 25 in G major, op. 79 - III. Vivace
- Piano Sonata No. 26 in E-flat major, op. 81a ‘Les Adieux’ - I. Das Lebewohl (Les Adieux): Adagio – Allegro
- Piano Sonata No. 26 in E-flat major, op. 81a ‘Les Adieux’ - II. Abwesenheit (L’Absence): Andante espressivo
- Piano Sonata No. 26 in E-flat major, op. 81a ‘Les Adieux’ - III. Das Wiedersehen (Le Retour): Vivacissimamente
- Piano Sonata No. 27 in E minor, op. 90 - I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
- Piano Sonata No. 27 in E minor, op. 90 - II. Nicht zu geschwind und sehr singbar vorzutragen
CD9
- Piano Sonata No. 28 in A major, op. 101 - I. Etwas lebhaft und mit der innigsten Empfindung 5.09
- Piano Sonata No. 27 in E minor, op. 90 - II. Lebhaft, marschmäßig 6.11
- Piano Sonata No. 27 in E minor, op. 90 - III. Langsam und sehnsuchtsvoll – IV. Presto – Geschwinde, doch nicht zu sehr und mit Entschlossenheit
- Piano Sonata No. 29 in B-flat major, op. 106 ‘Hammerklavier’ - I. Allegro
- Piano Sonata No. 29 in B-flat major, op. 106 ‘Hammerklavier’ - II. Scherzo: Assai vivace
- Piano Sonata No. 29 in B-flat major, op. 106 ‘Hammerklavier’ - III. Adagio sostenuto, appassionato e con molto sentimento
- Piano Sonata No. 29 in B-flat major, op. 106 ‘Hammerklavier’ - IV. Largo – Allegro risoluto
CD10
- Piano Sonata No. 30 in E major, op. 109 - I. Vivace, ma non troppo – Adagio espressivo
- Piano Sonata No. 30 in E major, op. 109 - II. Prestissimo
- Piano Sonata No. 30 in E major, op. 109 - III. Gesangvoll, mit innigster Empfindung
- Piano Sonata No. 31 in A-flat major, op. 110 - I. Moderato cantabile, molto espressivo
- Piano Sonata No. 31 in A-flat major, op. 110 - II. Allegro molto 2.24
- Piano Sonata No. 31 in A-flat major, op. 110 - III. Adagio, ma non troppo –
- Piano Sonata No. 31 in A-flat major, op. 110 - Fuga: Allegro, ma non troppo
- Piano Sonata No. 32 in C minor, op. 111 - I. Maestoso – Allegro con brio ed appassionato
- Piano Sonata No. 32 in C minor, op. 111 - II. Arietta: Adagio molto, semplice e cantabile
CD11
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Thema. Vivace
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 1. Alla Marcia maestoso
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 2. Poco allegro
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 3. L’istesso tempo
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 4. Un poco più vivace
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 5. Allegro vivace
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 6. Allegro ma non troppo e serioso
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 7. Un poco più allegro
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 8. Poco vivace
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 9. Allegro pesante e risoluto
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 10. Presto
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 11. Allegretto
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 12. Un poco più moto
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 13. Vivace
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 14. Grave e maestoso
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 15. Presto scherzando
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 16. Allegro
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 17. Allegro
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 18. Poco moderato
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 19. Presto
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 20. Andante
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 21. Allegro con brio – Meno allegro – Tempo I
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 22. Allegro molto alla “Notte e giorno faticar” di Mozart
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 23. Allegro assai
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 24. Fughetta. Andante
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 25. Allegro
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 26. Piacevole
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 27. Vivace
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 28. Allegro
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 29. Adagio ma non troppo
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 30. Andante, sempre cantabile
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 31. Largo, molto espressivo
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 32. Fuga. Allegro – Poco adagio
- 33 Variations on a Waltz by Anton Diabelli, op. 120 - Var. 33. Tempo di Menuetto moderato (ma non tirarsi dietro)
CD12
- Violin Sonata No. 1 in D major, op. 12 no. 1 - I. Allegro con brio
- Violin Sonata No. 1 in D major, op. 12 no. 1 - II. Tema con variazioni. Andante con moto
- Violin Sonata No. 1 in D major, op. 12 no. 1 - III. Rondo: Allegro
- Violin Sonata No. 2 in A major, op. 12 no. 2 - I. Allegro vivace
- Violin Sonata No. 2 in A major, op. 12 no. 2 - II. Andante, più tosto allegretto
- Violin Sonata No. 2 in A major, op. 12 no. 2 - III. Allegro piacèvole
- Violin Sonata No. 3 in E-flat major, op. 12 no. 3 - I. Allegro con spirito
- Violin Sonata No. 3 in E-flat major, op. 12 no. 3 - II. Adagio con molt’espressione
- Violin Sonata No. 3 in E-flat major, op. 12 no. 3 - III. Rondo: Allegro molto
CD13
- Violin Sonata No. 4 in A minor, op. 23 - I. Presto
- Violin Sonata No. 4 in A minor, op. 23 - II. Andante scherzoso più allegretto
- Violin Sonata No. 4 in A minor, op. 23 - III. Allegro molto
- Violin Sonata No. 5 in F major, op. 24 ‘Spring’ - I. Allegro
- Violin Sonata No. 5 in F major, op. 24 ‘Spring’ - II. Adagio molto espressivo
- Violin Sonata No. 5 in F major, op. 24 ‘Spring’ - III. Scherzo: Allegro molto – Trio
- Violin Sonata No. 5 in F major, op. 24 ‘Spring’ - IV. Rondo: Allegro ma non troppo
- Violin Sonata No. 6 in A major, op. 30 no. 1 - I. Allegro
- Violin Sonata No. 6 in A major, op. 30 no. 1 - II. Adagio molto espressivo
- Violin Sonata No. 6 in A major, op. 30 no. 1 - III. Allegretto con variazioni
CD14
- Violin Sonata No. 7 in C minor, op. 30 no. 2 - I. Allegro con brio
- Violin Sonata No. 7 in C minor, op. 30 no. 2 - II. Adagio cantabile
- Violin Sonata No. 7 in C minor, op. 30 no. 2 - III. Scherzo: Allegro – Trio
- Violin Sonata No. 7 in C minor, op. 30 no. 2 - IV. Finale: Allegro
- Violin Sonata No. 8 in G major, op. 30 no. 3 - I. Allegro assai
- Violin Sonata No. 8 in G major, op. 30 no. 3 - II. Tempo di minuetto, ma molto moderato e grazioso
- Violin Sonata No. 8 in G major, op. 30 no. 3 - III. Allegro vivace
- Violin Sonata No. 10 in G major, op. 96 - I. Allegro moderato
- Violin Sonata No. 10 in G major, op. 96 - II. Adagio espressivo
- Violin Sonata No. 10 in G major, op. 96 - III. Scherzo: Allegro – Trio
- Violin Sonata No. 10 in G major, op. 96 - IV. Poco allegretto – Adagio – Tempo I – Allegro – Poco adagio – Presto
CD15
- Violin Sonata No. 9 in A major, op. 47 ‘Kreutzer’ - I. Adagio sostenuto – Presto
- Violin Sonata No. 9 in A major, op. 47 ‘Kreutzer’ - II. Andante con variazioni
- Violin Sonata No. 9 in A major, op. 47 ‘Kreutzer’ - III. Finale: Presto
- Clarinet Trio in B-flat major, op. 11 ‘Gassenhauer’ - I. Allegro con brio
- Clarinet Trio in B-flat major, op. 11 ‘Gassenhauer’ - II. Adagio
- Clarinet Trio in B-flat major, op. 11 ‘Gassenhauer’ - III. Allegretto
- Quintet for piano, oboe, clarinet, horn and bassoon in E-flat major, op. 16 - I. Grave – Allegro, ma non troppo
- Quintet for piano, oboe, clarinet, horn and bassoon in E-flat major, op. 16 - II. Andante cantabile
- Quintet for piano, oboe, clarinet, horn and bassoon in E-flat major, op. 16 - III. Rondo – Allegro, ma non troppo
CD16
- Cello Sonata No. 1 in F major, op. 5 no. 1 - I. Adagio sostenuto
- Cello Sonata No. 1 in F major, op. 5 no. 1 - Allegro – Adagio – Presto – Tempo I (Allegro)
- Cello Sonata No. 1 in F major, op. 5 no. 1 - II. Allegro vivace
- Cello Sonata No. 2 in G minor, op. 5 no. 2 - I. Adagio sostenuto ed espressivo
- Cello Sonata No. 2 in G minor, op. 5 no. 2 - Allegro molto più tosto presto
- Cello Sonata No. 2 in G minor, op. 5 no. 2 - II. Rondo: Allegro
- Cello Sonata No. 3 in A major, op. 69 - I. Allegro, ma non tanto
- Cello Sonata No. 3 in A major, op. 69 - II. Scherzo: Allegro molto
- Cello Sonata No. 3 in A major, op. 69 - III. Adagio cantabile – Allegro vivace
CD17
- Cello Sonata No. 4 in C major, op. 102 no. 1 - I. Andante – Allegro vivace
- Cello Sonata No. 4 in C major, op. 102 no. 1 - II. Adagio – Tempo d’andante – Allegro vivace
- Cello Sonata No. 5 in D major, op. 102 no. 2 - I. Allegro con brio
- Cello Sonata No. 5 in D major, op. 102 no. 2 - II. Adagio con molto sentimento d’affetto
- Cello Sonata No. 5 in D major, op. 102 no. 2 - III. Allegro – Allegro fugato
- Variations on Handel’s ‘See the conqu’ring hero comes’ for cello and piano in G major, WoO45
- Variations on Mozart’s ‘Bei Männern, welche Liebe fühlen’ for cello and piano in E-flat major, WoO46
- Variations on Mozart’s ‘Ein Mädchen oder Weibchen’ for cello and piano in F major, op. 66
CD18
- Piano Trio in E-flat major, op. 1 no. 1 - I. Allegro
- Piano Trio in E-flat major, op. 1 no. 1 - II. Adagio cantabile
- Piano Trio in E-flat major, op. 1 no. 1 - III. Scherzo: Allegro assai – Trio
- Piano Trio in E-flat major, op. 1 no. 1 - IV. Finale: Presto
- Piano Trio in G major, op. 1 no. 2 - I. Adagio – Allegro vivace
- Piano Trio in G major, op. 1 no. 2 - II. Largo con espressione
- Piano Trio in G major, op. 1 no. 2 - III. Scherzo: Allegro – Trio
- Piano Trio in G major, op. 1 no. 2 - IV. Finale: Presto
- Variations on Dittersdorf’s ‘Ja, ich muss mich von ihr scheiden’ for piano trio, op. 44
CD19
- Piano Trio in C minor, op. 1 no. 3 - I. Allegro con brio
- Piano Trio in C minor, op. 1 no. 3 - II. Andante cantabile con variazioni
- Piano Trio in C minor, op. 1 no. 3 - III. Menuetto: Quasi allegro – Trio
- Piano Trio in C minor, op. 1 no. 3 - IV. Finale: Prestissimo
- Piano Trio in B-flat major, op. 97 ‘Archduke’ - I. Allegro moderato
- Piano Trio in B-flat major, op. 97 ‘Archduke’ - II. Scherzo: Allegro – Trio
- Piano Trio in B-flat major, op. 97 ‘Archduke’ - III. Andante cantabile ma però con moto – Poco più adagio – Tempo I
- Piano Trio in B-flat major, op. 97 ‘Archduke’ - IV. Allegro moderato – Presto
- Allegretto for piano trio in B-flat major, WoO39
- Allegretto for piano trio in E-flat major, Hess 48
CD20
- Piano Trio in D major, op. 70 no. 1 ‘Ghost’ - I. Allegro vivace con brio
- Piano Trio in D major, op. 70 no. 1 ‘Ghost’ - II. Largo assai ed espressivo
- Piano Trio in D major, op. 70 no. 1 ‘Ghost’ - III. Presto
- Piano Trio in E-flat major, op. 70 no. 2 - I. Poco sostenuto – Allegro, ma non troppo – Tempo I – Tempo II
- Piano Trio in E-flat major, op. 70 no. 2 - II. Allegretto
- Piano Trio in E-flat major, op. 70 no. 2 - III. Allegretto, ma non troppo
- Piano Trio in E-flat major, op. 70 no. 2 - IV. Finale: Allegro
- Variations on Müller’s ‘Ich bin der Schneider Kakadu’ for piano trio in G major, op. 121a
CD21
- Piano Concerto No. 1 in C major, op. 15 - I. Allegro con brio
- Piano Concerto No. 1 in C major, op. 15 - II. Largo
- Piano Concerto No. 1 in C major, op. 15 - III. Rondo: Allegro scherzando
- Piano Concerto No. 4 in G major, op. 58 - I. Allegro moderato
- Piano Concerto No. 4 in G major, op. 58 - II. Andante con moto
- Piano Concerto No. 4 in G major, op. 58 - III. Rondo: Vivace
CD22
- Piano Concerto No. 2 in B-flat major, op. 19 - I. Allegro con brio
- Piano Concerto No. 2 in B-flat major, op. 19 - II. Adagio
- Piano Concerto No. 2 in B-flat major, op. 19 - III. Rondo: Molto allegro
- Piano Concerto No. 3 in C minor, op. 37 - I. Allegro con brio
- Piano Concerto No. 3 in C minor, op. 37 - II. Largo
- Piano Concerto No. 3 in C minor, op. 37 - III. Rondo: Allegro
CD23
- Piano Concerto No. 5 in E-flat major, op. 73 ‘Emperor’ - I. Allegro
- Piano Concerto No. 5 in E-flat major, op. 73 ‘Emperor’ - II. Adagio un poco mosso
- Piano Concerto No. 5 in E-flat major, op. 73 ‘Emperor’ - III. Rondo: Allegro
CD24
- Violin Concerto in D major, op. 61 - I. Allegro ma non troppo
- Violin Concerto in D major, op. 61 - II. Larghetto
- Violin Concerto in D major, op. 61 - III. Rondo: Allegro
- Romance No. 1 in G major, op. 40
- Romance No. 2 in F major, op. 50
CD25
- Triple Concerto for violin, cello and piano in C major, op. 56 - I. Allegro
- Triple Concerto for violin, cello and piano in C major, op. 56 - II. Largo
- Triple Concerto for violin, cello and piano in C major, op. 56 - III. Rondo alla polacca
- Fantasy for piano, vocal soloists, chorus and orchestra in C major, op. 80 - I. Adagio
- Fantasy for piano, vocal soloists, chorus and orchestra in C major, op. 80 - II. Finale: Allegro – Meno allegro
- Fantasy for piano, vocal soloists, chorus and orchestra in C major, op. 80 - II. Finale: Allegro molto
- Fantasy for piano, vocal soloists, chorus and orchestra in C major, op. 80 - II. Finale: Adagio, ma non troppo
- Fantasy for piano, vocal soloists, chorus and orchestra in C major, op. 80 - II. Finale: Marcia, assai vivace – Allegro
- Fantasy for piano, vocal soloists, chorus and orchestra in C major, op. 80 - II. Finale: Allegretto, ma non troppo (quasi Andante con moto) – Presto
CD26
- Symphony No. 1 in C major, op. 21 - I. Adagio molto — Allegro con brio
- Symphony No. 1 in C major, op. 21 - II. Andante cantabile con moto
- Symphony No. 1 in C major, op. 21 - III. Menuetto: Allegro molto e vivace
- Symphony No. 1 in C major, op. 21 - IV. Finale: Adagio — Allegro molto e vivace
- Symphony No. 2 in D major, op. 36 - I. Adagio molto — Allegro con brio
- Symphony No. 2 in D major, op. 36 - II. Larghetto
- Symphony No. 2 in D major, op. 36 - III. Scherzo: Allegro vivace
- Symphony No. 2 in D major, op. 36 - IV. Allegro molto
CD27
- Symphony No. 3 in E-flat major, op. 55 ‘Eroica’ - I. Allegro con brio
- Symphony No. 3 in E-flat major, op. 55 ‘Eroica’ - II. Marcia funebre: Adagio assai
- Symphony No. 3 in E-flat major, op. 55 ‘Eroica’ - III. Scherzo: Allegro vivace
- Symphony No. 3 in E-flat major, op. 55 ‘Eroica’ - IV. Finale: Allegro molto
CD28
- Symphony No. 4 in B-flat major, op. 60 - I. Adagio — Allegro vivace
- Symphony No. 4 in B-flat major, op. 60 - II. Adagio
- Symphony No. 4 in B-flat major, op. 60 - III. Allegro vivace
- Symphony No. 4 in B-flat major, op. 60 - IV. Allegro ma non troppo
- Symphony No. 5 in C minor, op. 67 - I. Allegro con brio
- Symphony No. 5 in C minor, op. 67 - II. Andante con moto
- Symphony No. 5 in C minor, op. 67 - III. Allegro
- Symphony No. 5 in C minor, op. 67 - IV. Allegro
CD29
- Symphony No. 6 in F major, op. 68 ‘Pastoral’ - I. Allegro ma non troppo: Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande
- (Awakening of cheerful feelings on arrival in the country)
- Symphony No. 6 in F major, op. 68 ‘Pastoral’ - II. Andante molto moto: Szene am Bach (Scene by the brook)
- Symphony No. 6 in F major, op. 68 ‘Pastoral’ - III. Allegro: Lustiges Zusammensein der Landleute (Merry gathering of the countryfolk)
- Symphony No. 6 in F major, op. 68 ‘Pastoral’ - IV. Allegro: Gewitter, Sturm (Thunderstorm)
- Symphony No. 6 in F major, op. 68 ‘Pastoral’ - V. Allegretto: Hirtengesang: Frohe und dankbare Gefühle nach dem Sturm (Shepherds’ song: Happy and thankful feelings after the storm)
CD30
- Symphony No.7 in A major, op. 92 - I. Poco sostenuto — Vivace
- Symphony No.7 in A major, op. 92 - II. Allegretto
- Symphony No.7 in A major, op. 92 - III. Presto
- Symphony No.7 in A major, op. 92 - IV. Allegro con brio
- Symphony No.8 in F major, op. 93 - I. Allegro vivace e con brio
- Symphony No.8 in F major, op. 93 - II. Allegretto scherzando
- Symphony No.8 in F major, op. 93 - III. Tempo di menuetto
- Symphony No.8 in F major, op. 93 - IV. Allegro vivace
CD31
- Symphony No.9 in D minor, op. 125 ‘Choral’ - I. Allegro ma non troppo, un poco maestoso
- Symphony No.9 in D minor, op. 125 ‘Choral’ - II. Molto vivace — Presto
- Symphony No.9 in D minor, op. 125 ‘Choral’ - III. Adagio malta e cantabile — Andante moderato
- Symphony No.9 in D minor, op. 125 ‘Choral’ - IV. Presto — Allegro assai — Andante maestoso — Allegro energico, sempre ben marcato — Allegro ma non tanto — Prestissimo
CD32
- Missa Solemnis in D major, op. 123 (beginning) - Kyrie - Assai sostenuto – Andante assai ben marcato – Tempo I
- Missa Solemnis in D major, op. 123 (beginning) - Gloria - Allegro vivace
- Missa Solemnis in D major, op. 123 (beginning) - Gloria - Meno allegro – Tempo I
- Missa Solemnis in D major, op. 123 (beginning) - Gloria - Larghetto
- Missa Solemnis in D major, op. 123 (beginning) - Gloria - Allegro maestoso – Allegro ma non troppo e ben marcato
- Missa Solemnis in D major, op. 123 (beginning) - Credo - Allegro ma non troppo
- Missa Solemnis in D major, op. 123 (beginning) - Credo - Adagio
- Missa Solemnis in D major, op. 123 (beginning) - Credo - Allegro – Allegro molto – Allegro ma non troppo
- Missa Solemnis in D major, op. 123 (beginning) - Credo - Allegro ma non troppo – Allegro con moto – Grave
CD33
- Missa Solemnis in D major, op. 123 (conclusion) - Sanctus - Adagio – Allegro pesante – Presto
- Missa Solemnis in D major, op. 123 (conclusion) - Sanctus - Praeludium – Sostenuto ma non troppo – Andante molto cantabile e non troppo mosso
- Missa Solemnis in D major, op. 123 (conclusion) - Agnus Dei - Adagio
- Missa Solemnis in D major, op. 123 (conclusion) - Agnus Dei - Allegretto vivace – Allegro assai – Tempo I – Presto – Tempo I
CD34
- Fidelio (beginning) - Overture Leonore 2, op. 72
- Fidelio (beginning) - Act One - No. 2 Aria O wär’ ich schon mit dir vereint
- Fidelio (beginning) - Act One - No. 1 Duet Jetzt, Schätzchen, jetzt sind wir allein
- Fidelio (beginning) - Act One - No. 3 Quartet Mir ist so wunderbar
- Fidelio (beginning) - Act One - No. 4 Aria Hat man nicht auch Gold beineben
- Fidelio (beginning) - Act One - No. 5 Trio Gut, Söhnchen, gut
- Fidelio (beginning) - Act One - No. 6 March
- Fidelio (beginning) - Act One - No. 7 Aria with Chorus Ha, welch ein Augenblick!
- Fidelio (beginning) - Act One - No. 8 Duet Jetzt, Alter, hat es Eile!
- Fidelio (beginning) - No. 9 Recitative and Aria - Abscheulicher, wo eilst du hin?
- Fidelio (beginning) - No. 9 Recitative and Aria - Komm, Hoffnung, lass den letzten Stern
- Fidelio (beginning) - No. 10 Finale - O welche Lust!
- Fidelio (beginning) - No. 10 Finale - Nun sprecht, wie ging’s?
- Fidelio (beginning) - No. 10 Finale - Leb wohl, du warmes Sonnenlicht
CD35
- Fidelio (conclusion) - Act Two - No. 11 Introduction and Aria - Gott! Welch Dunkel hier!
- Fidelio (conclusion) - Act Two - No. 11 Introduction and Aria - In des Lebens Frühlingstagen
- Fidelio (conclusion) - Act Two - No. 12 Melodrama and Duet - Wie kalt ist es
- Fidelio (conclusion) - Act Two - No. 12 Melodrama and Duet - Nur hurtig fort, nur frisch gegraben
- Fidelio (conclusion) - Act Two - No. 12 Melodrama and Duet - No. 13 Trio Euch werde Lohn
- Fidelio (conclusion) - Act Two - No. 12 Melodrama and Duet - No. 14 Quartet Er sterbe!
- Fidelio (conclusion) - Act Two - No. 12 Melodrama and Duet - No. 15 Duet O namenlose Freude!
- Fidelio (conclusion) - Act Two - No. 16 Finale - Heil sei dem Tag
- Fidelio (conclusion) - Act Two - No. 16 Finale - Des besten Königs Wink und Wille
- Fidelio (conclusion) - Act Two - No. 16 Finale - Wer ein holdes Weib errungen
- Overture Leonore 1, op. 138
- Overture Leonore 3, op. 72
- Overture Fidelio, op. 72
No other recording artist could rival Daniel Barenboim’s scope in the music of Beethoven. This 35-CD set unites recordings made by Barenboim – as a pianist and as conductor – over a period of more than 30 years (1966-1999). The selection, comprising both studio and live recordings, has been made from the unparalleled Warner Classics catalogue and includes such landmarks as the complete piano sonatas (recorded in the 1960s), the complete symphonies, the five piano concertos (recorded in the 1980s in Berlin with Barenboim conducting from the piano), the violin concerto, Fidelio, and the Missa Solemnis.
Barenboim is joined by artists such as Jacqueline du Pré, Itzhak Perlman, Yo-Yo Ma, Pinchas Zukerman, Plácido Domingo and Waltraud Meier, and he conducts the Berliner Philharmoniker, Berliner Staatskapelle and Chicago Symphony Orchestra.
For many music-lovers, Beethoven is the greatest composer of them all: his music, groundbreaking in so many respects, represents the striving and triumph of the human spirit and the aspiration to freedom. Barenboim sums up his ideology of performing Beethoven thus: “By all accounts he was a freethinking person, and a courageous one, and I find courage an essential quality for the understanding, let alone the performance, of his works ... Beethoven asks the performer to show courage, not to be afraid of going to the edge of the precipice, and he thus forces the performer to find the ‘line of most resistance’, a phrase coined by the great pianist Artur Schnabel.”
Barenboim (b.1942 in Buenos Aires) has been one of the world’s most celebrated classical musicians for more than 50 years. When, at the age of 11, he played for Wilhelm Furtwängler, the great conductor (famed, of course, for his Beethoven) described the young pianist as “a phenomenon”. It was as a pianist that Barenboim first achieved fame, but he has established himself as one of the world’s great conductors and as one of the most influential figures in the field of classical music. He is currently music director of the Berliner Staatsoper and conductor for life of the Berliner Staatskapelle, while his past posts include the role of music director of the Chicago Symphony Orchestra and La Scala, Milan.
He is also a public figure whose fame extends beyond the world of music. Fortune Magazine recently named him one of the World’s 50 Greatest Leaders, in particular for his work as founder and conductor of the West-Eastern Divan Orchestra, which brings together young Israeli and Arab musicians. Barenboim says that: “Great music is the result of concentrated listening – every musician listening intently to the voice of the composer and to each other. Harmony in personal or international relations can also only exist by listening, each party opening its ears to the other’s narrative or point of view … People who listen to each other, both musically and in all other ways, can achieve greater things.” No doubt Beethoven would have agreed wholeheartedly with those sentiments.