Impressions - The Sound Of Debussy
Claude DebussyLPA
- Suite bergamasque, L 82 (1890, rev. 1905) – III. Clair de lune
- Arabesques, L 74 (1890-91) - I.
- Pour le piano, L 95 (1896 [II], 1901 [I, III]) - III. Toccata
- Préludes (First Book), L 125 (1909-10) - VI. (… des pas sur la neige)
- Préludes (First Book), L 125 (1909-10) - VIII. (… la fille aux cheveux de lin)
- Children’s Corner, L 119a: VI. Golliwogg’s cake-walk (1908)
- Estampes, L 108a (1903): II. La Soirée dans Grenade
LPB
- Prélude à l’après-midi d’un faune, for orchestra, L 87a (1892-94)
- Petite suite, L 71b (1888-89, orchestration Henri Büsser 1907) - I. En bateau
- Nocturnes, triptyque symphonique, for orchestra and female choir, L 98a (1897-99) - Fêtes (Animé et très rythmé – Modéré mais toujours très rythmé)
- La Mer, trois esquisses symphoniques, for orchestra, L 111a (1903-05) - II. Jeux de vagues (Allegro, dans un rythme très souple)
“Music would take over at the point at which words become powerless, with the one and only object of expressing that which nothing but music could express… I love music passionately. And because I love it I try to free it from barren traditions that stifle it... There is no theory. You only have to listen. Pleasure is the law”.
Claude Debussy