Pergolesi : Stabat Mater & Rossell : Salve Regina

1. Pergolesi - 01 - Stabat Mater - I. Stabat Mater dolorosa. Grave
2. Pergolesi - 02 - Stabat Mater - II. Cujus animam gementem. Andante amoroso
3. Pergolesi - 03 - Stabat Mater - III. O quam tristis et afflicta. Larghetto
4. Pergolesi - 04 - Stabat Mater - IV. Quae moerebat et dolebat. Allegro
5. Pergolesi - 05 - Stabat Mater - V. Quis est homo. Largo
6. Pergolesi - 06 - Stabat Mater - VI. Vidit suum dulcem natum. Tempo giusto
7. Pergolesi - 07 - Stabat Mater - VII. Eja mater fons amoris. Andantino
8. Pergolesi - 08 - Stabat Mater - VIII. Fac ut ardeat cor meum. Allegro
9. Pergolesi - 09 - Stabat Mater - IX. Sancta mater, istud agas. Tempo giusto
10. Pergolesi - 10 - Stabat Mater - X. Fac ut portem Christi mortem. Largo
11. Pergolesi - 11 - Stabat Mater - XI. Inflammatus et accensus. Allegro ma non troppo
12. Pergolesi - 12 - Stabat Mater - XII. Quando corpus morietur. Largo assai - Amen. Presto assai 
13. Ragazzi - 13 - Sonata a quattro in F Minor, Op. 1 No. 4 - I. Andante
14. Ragazzi - 14 - Sonata a quattro in F Minor, Op. 1 No. 4 - II. Adagio
15. Ragazzi - 15 - Sonata a quattro in F Minor, Op. 1 No. 4 - III. Allegro
16. Rossell - 16 - Salve a duo - I. Salve Regina. Largo
17. Rossell - 17 - Salve a duo - II. Mater misericordiae. Andante 
18. Rossell - 18 - Salve a duo - III. Ad te clamamus. Largo
19. Rossell - 19 - Salve a duo - IV. Eia ergo. Allegro 
20. Rossell - 20 - Salve a duo - V. Et Jesum. Andante 
21. Rossell - 21 - Salve a duo - VI. O Clemens. Largo

Here is the work of a genius who died at the age of twenty-six: Pergolesi's Stabat Mater is one of the miracles of eighteenth-century sacred music. Nourished by their experience of ‘setting in resonance’ early and contemporary repertories, Riccardo Minasi and the Hamburg musicians shed an astonishingly modern light on these moving pieces, in which the voices of Giulia Semenzato and Lucile Richardot intertwine in the most sublime of communions. The Stabat is echoed by Joan Rossell’s poignant Salve Regina, long attributed to Pergolesi himself.