Angel & Demons
Andrew von Oeyen- J. S. BACH - 18 Chorale Preludes "Leipzig Chorales", No. 9, Nun komm, der Heiden Heiland, BWV 659
- J. S. BACH - French Suite No. 5 in G Major, BWV 816, I. Allemande
- J. S. BACH - French Suite No. 5 in G Major, BWV 816, II. Courante
- J. S. BACH - French Suite No. 5 in G Major, BWV 816, III. Sarabande
- J. S. BACH - French Suite No. 5 in G Major, BWV 816, IV. Gavotte
- J. S. BACH - French Suite No. 5 in G Major, BWV 816, V. Bourrée
- J. S. BACH - French Suite No. 5 in G Major, BWV 816. VI. Loure
- J. S. BACH - French Suite No. 5 in G Major, BWV 816, VII. Gigue
- EDWARD MACDOWELL - First Modern Suite, Op. 10, V. Rhapsodie. In ritmo tenebre
- FRANZ LISZT - Mephisto-Waltz No. 1, S. 514 "The Dance in the Village Inn"
- CLAUDE DEBUSSY - Suite bergamasque, CD 82, L. 75, III. Clair de lune
- J. S. BACH - Keyboard Concerto in D Minor, BWV 974, II. Adagio (After Marcello's Oboe Concerto)
- CAMILLE SAINT-SAËNS - Samson et Dalila, Op. 47, Act III, Bacchanale (Piano Version)
- EDWARD MACDOWELL - 2 Fantasy Pieces, Op. 17, No. 2, Witches' Dance
- OLIVIER MESSIAEN - Vingt Regards sur l'Enfant-Jésus, No. 20, Regard de l'Église d'amour
- GABRIEL FAURÉ - Requiem, Op. 48, VII. In paradisum
American-born pianist Andrew von Oeyen has an ambitious new album that combines works for solo keyboard with piano transcriptions from orchestral, opera and choral repetoire. The album possess a unique duality between the 'angelic' works of Bach, Debussy, Fauré and Messiaen, and 'demonic' works of Liszt, Saint-Saëns and Edward MacDowell.
As he leads the listener on a journey into the darkest corners of human emotion, but also towards rapture and catharsis,” Andrew proves an assured and inspiring guide. In the words of the Chicago Tribune, “He leaves you convinced that he can do absolutely anything he likes with a keyboard.”