Bach – Beethoven
Andrew Von Oeyen- JOHANN SEBASTIAN BACH - Overture in the French Style, BWV 831, Ouverture
- JOHANN SEBASTIAN BACH - Overture in the French Style, BWV 831, Courante
- JOHANN SEBASTIAN BACH - Overture in the French Style, BWV 831, Gavottes 1 and 2
- JOHANN SEBASTIAN BACH - Overture in the French Style, BWV 831, Passepied 1 and 2
- JOHANN SEBASTIAN BACH - Overture in the French Style, BWV 831, Sarabande
- JOHANN SEBASTIAN BACH - Overture in the French Style, BWV 831, Bourée 1 and 2
- JOHANN SEBASTIAN BACH - Overture in the French Style, BWV 831, Gigue
- JOHANN SEBASTIAN BACH - Overture in the French Style, BWV 831, Echo
- LUDWIG VAN BEETHOVEN - Sonata No 13 in E flat major, ‘Quasi una Fantasia’, Op. 27, Nr. 1, Andante
- LUDWIG VAN BEETHOVEN - Sonata No 13 in E flat major, ‘Quasi una Fantasia’, Op. 27, Nr. 1, Allegro molto e vivace
- LUDWIG VAN BEETHOVEN - Sonata No 13 in E flat major, ‘Quasi una Fantasia’, Op. 27, Nr. 1, Adagio con espressione
- LUDWIG VAN BEETHOVEN - Sonata No 13 in E flat major, ‘Quasi una Fantasia’, Op. 27, Nr. 1, Allegro vivace
- LUDWIG VAN BEETHOVEN - Sonate No 23 in F minor, Op 57 ‘Appassionata’, Allegro Assai
- LUDWIG VAN BEETHOVEN - Sonate No 23 in F minor, Op 57 ‘Appassionata’, Andante con moto
- LUDWIG VAN BEETHOVEN - Sonate No 23 in F minor, Op 57 ‘Appassionata’, Allegro ma non troppo
- JOHANN SEBASTIAN BACH - Siciliano from the Flute Sonata Nr 2
- JOHANN SEBASTIAN BACH - Largo from the Piano Concerto in F minor
Shaped by pianist Andrew von Oeyen’s experience of lockdown, this solo recital comprises Bach’s eight-movement Overture in the French Style BWV 831, Beethoven’s Piano Sonatas No 13 in E flat and No 23 in F minor, ‘Appassionata’, and arrangements by Wilhelm Kempff of two movements that Bach wrote for accompanied flute and harpsichord, respectively.
“Perhaps more than any other composer, Bach expresses the clearest sense of order in a chaotic world,” says von Oeyen. “If Bach served as my first musical mooring in confinement, I returned to Beethoven for second-wave pandemic relief … I was now ready to weigh anchor and face the storm in the company of stalwart and indestructible 19th century sonatas. Crises, for all their destructiveness, can also lead to renewal and discovery.”