The Complete Teldec Recordings (CD42)

Nikolaus Harnoncourt, Royal Concertgebouw Orchestra

CD1

  1. W.A. MOZART - Symphony No. 40 in G minor, K. 550, I. Molto allegro
  2. W.A. MOZART - Symphony No. 40 in G minor, K. 550, II. Andante
  3. W.A. MOZART - Symphony No. 40 in G minor, K. 550, III. Menuetto. Allegretto
  4. W.A. MOZART - Symphony No. 40 in G minor, K. 550, IV. Allegro assai
  5. W.A. MOZART - Symphony No. 25 in G minor, K. 183, I. Allegro con brio
  6. W.A. MOZART - Symphony No. 25 in G minor, K. 183, II. Andante
  7. W.A. MOZART - Symphony No. 25 in G minor, K. 183, III. Menuetto
  8. W.A. MOZART - Symphony No. 25 in G minor, K. 183, IV. Allegro

CD2

  1. W.A. MOZART - Symphony No. 26 in E-flat major, K. 184, I. Molto presto
  2. W.A. MOZART - Symphony No. 26 in E-flat major, K. 184, II. Andante
  3. W.A. MOZART - Symphony No. 26 in E-flat major, K. 184, III. Allegro
  4. W.A. MOZART - Symphony No. 28 in C major, K. 200, I. Allegro spiritoso
  5. W.A. MOZART - Symphony No. 28 in C major, K. 200, II. Andante
  6. W.A. MOZART - Symphony No. 28 in C major, K. 200, III. Menuetto
  7. W.A. MOZART - Symphony No. 28 in C major, K. 200, IV. Presto
  8. W.A. MOZART - Symphony No. 30 in D major, K. 202, I. Molto allegro
  9. W.A. MOZART - Symphony No. 30 in D major, K. 202, II. Andantino con moto
  10. W.A. MOZART - Symphony No. 30 in D major, K. 202, III. Menuetto
  11. W.A. MOZART - Symphony No. 30 in D major, K. 202, IV. Presto

CD3

  1. W.A. MOZART - Symphony No. 39 in E-flat major, K. 543, I. Adagio – Allegro
  2. W.A. MOZART - Symphony No. 39 in E-flat major, K. 543, II. Andante con moto
  3. W.A. MOZART - Symphony No. 39 in E-flat major, K. 543, III. Menuetto. Allegretto
  4. W.A. MOZART - Symphony No. 39 in E-flat major, K. 543, IV. Finale. Allegro
  5. W.A. MOZART - Symphony No. 29 in A major, K. 201, I. Allegro moderato
  6. W.A. MOZART - Symphony No. 29 in A major, K. 201, II. Andante 9.29
  7. W.A. MOZART - Symphony No. 29 in A major, K. 201, III. Menuetto 3.34
  8. W.A. MOZART - Symphony No. 29 in A major, K. 201, IV. Allegro con spirito 

CD4

  1. W.A. MOZART - Symphony No. 33 in B-flat major, K. 319, I. Allegro assai
  2. W.A. MOZART - Symphony No. 33 in B-flat major, K. 319,V II. Andante moderato
  3. W.A. MOZART - Symphony No. 33 in B-flat major, K. 319, III. Menuetto
  4. W.A. MOZART - Symphony No. 33 in B-flat major, K. 319, IV. Finale. Allegro assai
  5. W.A. MOZART - Symphony No. 31 in D major, K. 297 “Paris”, I. Allegro assai
  6. W.A. MOZART - Symphony No. 31 in D major, K. 297 “Paris”, II. Andante
  7. W.A. MOZART - Symphony No. 31 in D major, K. 297 “Paris”, III. Allegro
  8. W.A. MOZART - Symphony No. 31 in D major, K. 297 “Paris”, II. Andante (Alternate Version)

CD5

  1. W.A. MOZART - Symphony No. 36 in C major, K. 425 “Linz”, I. Adagio – Allegro spiritoso
  2. W.A. MOZART - Symphony No. 36 in C major, K. 425 “Linz”, II. Andante
  3. W.A. MOZART - Symphony No. 36 in C major, K. 425 “Linz”, III. Menuetto
  4. W.A. MOZART - Symphony No. 36 in C major, K. 425 “Linz”, IV. Presto
  5. W.A. MOZART - Symphony No. 32 in G major, K. 318, I. Allegro spiritoso
  6. W.A. MOZART - Symphony No. 32 in G major, K. 318, II. Andante
  7. W.A. MOZART - Symphony No. 32 in G major, K. 318, III. Primo tempo
  8. W.A. MOZART - Lucio Silla, K. 135, Overture, I. Molto allegro
  9. W.A. MOZART - Lucio Silla, K. 135, Overture II. Andante
  10. W.A. MOZART - Lucio Silla, K. 135, Overture III. Molto allegro

CD6

  1. W.A. MOZART - Symphony No. 35 in D major, K. 385 “Haffner”, I. Allegro con spirito
  2. W.A. MOZART - Symphony No. 35 in D major, K. 385 “Haffner”, II. Andante
  3. W.A. MOZART - Symphony No. 35 in D major, K. 385 “Haffner”, III. Menuetto
  4. W.A. MOZART - Symphony No. 35 in D major, K. 385 “Haffner”, IV. Finale. Presto
  5. W.A. MOZART - Symphony No. 34 in C major, K. 338, I. Allegro vivace
  6. W.A. MOZART - Symphony No. 34 in C major, K. 338, II. Andante di molto
  7. W.A. MOZART - Symphony No. 34 in C major, K. 338, III. Finale. Allegro vivace

CD7

  1. W.A. MOZART - Symphony No. 38 in D major, K. 504 “Prague", I. Adagio – Allegro
  2. W.A. MOZART - Symphony No. 38 in D major, K. 504 “Prague", II. Andante
  3. W.A. MOZART - Symphony No. 38 in D major, K. 504 “Prague", III. Finale. Presto
  4. W.A. MOZART - Symphony No. 41 in C major, K. 551 “Jupiter", I. Allegro vivace
  5. W.A. MOZART - Symphony No. 41 in C major, K. 551 “Jupiter", II. Andante cantabile
  6. W.A. MOZART - Symphony No. 41 in C major, K. 551 “Jupiter", III. Menuetto. Allegretto
  7. W.A. MOZART - Symphony No. 41 in C major, K. 551 “Jupiter", IV. Molto allegro

CD8

  1. W.A. MOZART - Concerto for two pianos No. 10 in E-flat major, K. 365, I. Allegro
  2. W.A. MOZART - Concerto for two pianos No. 10 in E-flat major, K. 365, II. Andante
  3. W.A. MOZART - Concerto for two pianos No. 10 in E-flat major, K. 365, III. Rondeau. Allegro
  4. CHICK COREA - 4 Fantasy for two pianos
  5. FRIEDRICH GULDA - 5 Ping Pong, for two pianos

CD9

  1. W.A. MOZART - Piano Concerto No. 26 in D major, K. 537 “Coronation”, I. Allegro
  2. W.A. MOZART - Piano Concerto No. 26 in D major, K. 537 “Coronation”, II. Larghetto
  3. W.A. MOZART - Piano Concerto No. 26 in D major, K. 537 “Coronation”, III. Allegretto
  4. W.A. MOZART - Piano Concerto No. 23 in A major, K. 488, I. Allegro
  5. W.A. MOZART - Piano Concerto No. 23 in A major, K. 488, II. Andante
  6. W.A. MOZART - Piano Concerto No. 23 in A major, K. 488, III. Allegro assai

CD10

  1. W.A. MOZART - Così fan tutte, K. 588, Overture
  2. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “La mia Dorabella” 
  3. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Fuor la spada”
  4. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “É la fede delle femmine”
  5. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Scioccherie di poeti!”
  6. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Una bella serenata”
  7. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Ah, guarda, sorella”
  8. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Mi par, che stamattina”
  9. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Vorrei dir, e cor non ho”
  10. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Stelle! Per carità”
  11. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Sento, o Dio”
  12. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Non piangere, idol mio!”
  13. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Al fato dàn legge”
  14. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “La commedia è graziosa”
  15. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Bella vita militar!”
  16. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Non v’è più tempo”
  17. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Muoio d’affanno! … Di scrivermi ogni giorno”
  18. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Bella vita militar!”
  19. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Dove son?”
  20. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Soave sia il vento”
  21. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Non son cattivo comico!”
  22. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Che vita maledetta”
  23. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Ah, scostati”
  24. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Smanie implacabili”
  25. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Signora Dorabella”
  26. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “In uomini, in soldati”
  27. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Che silenzio!”
  28. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Alla bella Despinetta”
  29. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Che sussurro!”
  30. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Temerari! Sortite!”
  31. W.A. MOZART - Così fan tutte, K. 588, Act 1 (beginning), “Come scoglio”

CD11

  1. W.A. MOZART - Così fan tutte, K. 588, Act 1 (end), “Ah non partite!”
  2. W.A. MOZART - Così fan tutte, K. 588, Act 1 (end), “Non siate ritrosi”
  3. W.A. MOZART - Così fan tutte, K. 588, Act 1 (end), “E voi ridete?”
  4. W.A. MOZART - Così fan tutte, K. 588, Act 1 (end), “Si può sapere”
  5. W.A. MOZART - Così fan tutte, K. 588, Act 1 (end), “Un’aura amorosa”
  6. W.A. MOZART - Così fan tutte, K. 588, Act 1 (end), “O la saria da ridere”
  7. W.A. MOZART - Così fan tutte, K. 588, Act 1 (end), “Ah che tutta in un momento … Si mora, sì, si mora … Eccovi il medico … Dove son?”
  8. W.A. MOZART - Così fan tutte, K. 588, Act 2 (beginning), “Andate là”
  9. W.A. MOZART - Così fan tutte, K. 588, Act 2 (beginning), “Una donna a quindici anni”
  10. W.A. MOZART - Così fan tutte, K. 588, Act 2 (beginning), “Sorella, cosa dici?”
  11. W.A. MOZART - Così fan tutte, K. 588, Act 2 (beginning), “Prenderò quel brunettino”
  12. W.A. MOZART - Così fan tutte, K. 588, Act 2 (beginning), “Ah correte al giardino”
  13. W.A. MOZART - Così fan tutte, K. 588, Act 2 (beginning), “Secondate, aurette amiche”
  14. W.A. MOZART - Così fan tutte, K. 588, Act 2 (beginning), “Il tutto deponete”
  15. W.A. MOZART - Così fan tutte, K. 588, Act 2 (beginning), “La mano a me date”
  16. W.A. MOZART - Così fan tutte, K. 588, Act 2 (beginning), “O che bella giornata!”
  17. W.A. MOZART - Così fan tutte, K. 588, Act 2 (beginning), “Il core vi dono”
  18. W.A. MOZART - Così fan tutte, K. 588, Act 2 (beginning), “Barbara! Perché fuggi?”
  19. W.A. MOZART - Così fan tutte, K. 588, Act 2 (beginning), “Ah, lo veggio”
  20. W.A. MOZART - Così fan tutte, K. 588, Act 2 (beginning), “Ei parte ... senti!”
  21. W.A. MOZART - Così fan tutte, K. 588, Act 2 (beginning), “Per pietà, ben mio, perdona”

CD12

  1. W.A. MOZART - Così fan tutte, K. 588, Act 2 (end), “Amico, abbiamo vinto!”
  2. W.A. MOZART - Così fan tutte, K. 588, Act 2 (end), “Donne mie, la fate a tanti”
  3. W.A. MOZART - Così fan tutte, K. 588, Act 2 (end), “In qual fiero contrasto”
  4. W.A. MOZART - Così fan tutte, K. 588, Act 2 (end), Cavatina: “Tradito, schernito”
  5. W.A. MOZART - Così fan tutte, K. 588, Act 2 (end), “Bravo: questa è costanza”
  6. W.A. MOZART - Così fan tutte, K. 588, Act 2 (end), “Ora vedo che siete”
  7. W.A. MOZART - Così fan tutte, K. 588, Act 2 (end), “È amore un ladroncello”
  8. W.A. MOZART - Così fan tutte, K. 588, Act 2 (end), “Come tutto congiura”
  9. W.A. MOZART - Così fan tutte, K. 588, Act 2 (end), “Fra gli amplessi”
  10. W.A. MOZART - Così fan tutte, K. 588, Act 2 (end), “Ah poveretto me!”
  11. W.A. MOZART - Così fan tutte, K. 588, Act 2 (end), “Tutti accusan le donne”
  12. W.A. MOZART - Così fan tutte, K. 588, Act 2 (end), “Vittoria, padroncini!”
  13. W.A. MOZART - Così fan tutte, K. 588, Act 2 (end), Finale: “Fate presto … Benedetti i doppi coniugi … Miei signori, tutto è fatto … Sani e salvi”

CD13

  1. W.A. MOZART - Don Giovanni, K. 527, Overture
  2. W.A. MOZART - Don Giovanni, K. 527, Act 1 (beginning), “Notte e giorno faticar”
  3. W.A. MOZART - Don Giovanni, K. 527, Act 1 (beginning), “Leporello, ove sei?”
  4. W.A. MOZART - Don Giovanni, K. 527, Act 1 (beginning), “Ah! del padre in periglio in soccorso voliam”
  5. W.A. MOZART - Don Giovanni, K. 527, Act 1 (beginning), “Ma qual mai s’offre, o dei … Fuggi, crudele, fuggi!”
  6. W.A. MOZART - Don Giovanni, K. 527, Act 1 (beginning), “Orsù, spicciati presto… cosa vuoi?”
  7. W.A. MOZART - Don Giovanni, K. 527, Act 1 (beginning), “Ah! chi mi dice mai”
  8. W.A. MOZART - Don Giovanni, K. 527, Act 1 (beginning), “Chi è là? … Stelle! che vedo!”
  9. W.A. MOZART - Don Giovanni, K. 527, Act 1 (beginning), “Madamina, il catalogo è questo”
  10. W.A. MOZART - Don Giovanni, K. 527, Act 1 (beginning), “In questa forma dunque mi tradì il scellerato!”
  11. W.A. MOZART - Don Giovanni, K. 527, Act 1 (beginning), “Giovinette che fate all’amore”
  12. W.A. MOZART - Don Giovanni, K. 527, Act 1 (beginning), “Manco male, è partita”
  13. W.A. MOZART - Don Giovanni, K. 527, Act 1 (beginning), “Ho capito, signor, sì!”
  14. W.A. MOZART - Don Giovanni, K. 527, Act 1 (beginning), “Alfin siam liberati, Zerlinetta gentil”
  15. W.A. MOZART - Don Giovanni, K. 527, Act 1 (beginning), “Là ci darem la mano”
  16. W.A. MOZART - Don Giovanni, K. 527, Act 1 (beginning), “Fermati, scellerato!”
  17. W.A. MOZART - Don Giovanni, K. 527, Act 1 (beginning), “Ah! fuggi il traditor”
  18. W.A. MOZART - Don Giovanni, K. 527, Act 1 (beginning), “Mi par ch’oggi il demonio si diverta” – “Ah, ti ritrovo ancor”
  19. W.A. MOZART - Don Giovanni, K. 527, Act 1 (beginning), “Non ti fidar, o misera”
  20. W.A. MOZART - Don Giovanni, K. 527, Act 1 (beginning), “Povera sventurata!”
  21. W.A. MOZART - Don Giovanni, K. 527, Act 1 (beginning), “Don Ottavio, son morta!”
  22. W.A. MOZART - Don Giovanni, K. 527, Act 1 (beginning), “Or sai chi l’onore”
  23. W.A. MOZART - Don Giovanni, K. 527, Act 1 (beginning), “Come mai creder deggio di sì nero delitto capace un cavaliero!”
  24. W.A. MOZART - Don Giovanni, K. 527, Act 1 (beginning), “Dalla sua pace la mia dipende”

CD14

  1. W.A. MOZART - Don Giovanni, K. 527, Act 1 (end), “Io deggio, ad ogni patto, per sempre abbandonar questo bel matto!”
  2. W.A. MOZART - Don Giovanni, K. 527, Act 1 (end), “Fin ch’han dal vino calda la testa”
  3. W.A. MOZART - Don Giovanni, K. 527, Act 1 (end), “Masetto, senti un po’!”
  4. W.A. MOZART - Don Giovanni, K. 527, Act 1 (end), “Batti, batti, o bel Masetto”
  5. W.A. MOZART - Don Giovanni, K. 527, Act 1 (end), “Guarda un po’ come seppe questa strega sedurmi!”
  6. W.A. MOZART - Don Giovanni, K. 527, Act 1 (end), Finale: “Presto, presto, pria ch’ei venga” – “Su svegliatevi, da bravi” – “Tra quest’arbori celata si può dar che non mi veda” – “Bisogna aver coraggio, o cari amici miei” – “Riposate, vezzose ragazze!”
  7. W.A. MOZART - Don Giovanni, K. 527, Act 2 (beginning), “Eh via, buffone, non mi seccar”
  8. W.A. MOZART - Don Giovanni, K. 527, Act 2 (beginning), “Leporello! – Signore? – Vien qui”
  9. W.A. MOZART - Don Giovanni, K. 527, Act 2 (beginning), “Ah! taci, ingiusto core”
  10. W.A. MOZART - Don Giovanni, K. 527, Act 2 (beginning), “Amico, che ti par?” – “Eccomi a voi!”
  11. W.A. MOZART - Don Giovanni, K. 527, Act 2 (beginning), Canzonetta: “Deh, vieni alla finestra, o mio tesoro”
  12. W.A. MOZART - Don Giovanni, K. 527, Act 2 (beginning), “V’è gente alla finestra! Sarà dessa” – “Non ci stanchiamo”
  13. W.A. MOZART - Don Giovanni, K. 527, Act 2 (beginning), “Metà di voi qua vadano, e gli altri vadan là”
  14. W.A. MOZART - Don Giovanni, K. 527, Act 2 (beginning), “Zitto! lascia ch’io senta” – “Ahi! ahi! la testa mia!”
  15. W.A. MOZART - Don Giovanni, K. 527, Act 2 (beginning), “Vedrai, carino, se sei buonino”

CD15

  1. W.A. MOZART - Don Giovanni, K. 527, Act 2 (end), “Di molte faci il lume s’avvicina, o mio ben”
  2. W.A. MOZART - Don Giovanni, K. 527, Act 2 (end), “Sola, sola, in buio loco”
  3. W.A. MOZART - Don Giovanni, K. 527, Act 2 (end), “Dunque quello sei tu che il mio Masetto poco fa crudelmente maltrattasti!”
  4. W.A. MOZART - Don Giovanni, K. 527, Act 2 (end), “Ah, pietà, signori miei”
  5. W.A. MOZART - Don Giovanni, K. 527, Act 2 (end), “Ferma, perfido, ferma”
  6. W.A. MOZART - Don Giovanni, K. 527, Act 2 (end), “Il mio tesoro intanto andate a consolar”
  7. W.A. MOZART - Don Giovanni, K. 527, Act 2 (end), “In quali eccessi, o numi … Mi tradì quell’alma ingrata”
  8. W.A. MOZART - Don Giovanni, K. 527, Act 2 (end), “Ah ah ah ah, questa è buona!”
  9. W.A. MOZART - Don Giovanni, K. 527, Act 2 (end), “O statua gentilissima del gran Commendatore”
  10. W.A. MOZART - Don Giovanni, K. 527, Act 2 (end), “Calmatevi, idol mio”
  11. W.A. MOZART - Don Giovanni, K. 527, Act 2 (end), “Crudele! Ah no, mio bene! … Non mi dir, bell’idol mio, che son io crudel con te”
  12. W.A. MOZART - Don Giovanni, K. 527, Act 2 (end), “Ah, si segua il suo passo”
  13. W.A. MOZART - Don Giovanni, K. 527, Act 2 (end), Finale: “Già la mensa è preparata” – “L’ultima prova dell’amor mio” – “Don Giovanni, a cenar teco m’invitasti” – “Ah, dov’è il perfido? … Questo è il fin di chi fa mal!”

CD16

  1. W.A. MOZART - Le nozze di Figaro, K. 492, Sinfonia
  2. W.A. MOZART - Le nozze di Figaro, K. 492, Act 1, “Cinque… dieci…”
  3. W.A. MOZART - Le nozze di Figaro, K. 492, Act 1, “Cosa stai misurando”
  4. W.A. MOZART - Le nozze di Figaro, K. 492, Act 1, “Se a caso madama”
  5. W.A. MOZART - Le nozze di Figaro, K. 492, Act 1, “Or bene; ascolta”
  6. W.A. MOZART - Le nozze di Figaro, K. 492, Act 1, Cavatina: “Se vuol ballare”
  7. W.A. MOZART - Le nozze di Figaro, K. 492, Act 1, “Ed aspettaste il giorno”
  8. W.A. MOZART - Le nozze di Figaro, K. 492, Act 1, “La vendetta”
  9. W.A. MOZART - Le nozze di Figaro, K. 492, Act 1, “Tutto ancor non ho perso”
  10. W.A. MOZART - Le nozze di Figaro, K. 492, Act 1, “Via resti servita”
  11. W.A. MOZART - Le nozze di Figaro, K. 492, Act 1, “Va’ là, vecchia pedante”
  12. W.A. MOZART - Le nozze di Figaro, K. 492, Act 1, “Non so più cosa son”
  13. W.A. MOZART - Le nozze di Figaro, K. 492, Act 1, “Ah, son perduto!”
  14. W.A. MOZART - Le nozze di Figaro, K. 492, Act 1, “Cosa sento!”
  15. W.A. MOZART - Le nozze di Figaro, K. 492, Act 1, “Basilio, in traccia tosto”
  16. W.A. MOZART - Le nozze di Figaro, K. 492, Act 1, “Giovani liete”
  17. W.A. MOZART - Le nozze di Figaro, K. 492, Act 1, “Cos’ è questo commedia?”
  18. W.A. MOZART - Le nozze di Figaro, K. 492, Act 1, “Giovani liete”
  19. W.A. MOZART - Le nozze di Figaro, K. 492, Act 1, “Evviva!”
  20. W.A. MOZART - Le nozze di Figaro, K. 492, Act 1, “Non più andrai”
  21. W.A. MOZART - Le nozze di Figaro, K. 492, Act 2 (beginning), Cavatina: “Porgi, amor”
  22. W.A. MOZART - Le nozze di Figaro, K. 492, Act 2 (beginning), “Vieni, cara Susanna”

CD17

  1. W.A. MOZART - Le nozze di Figaro, K. 492, Act 2 (end), “Quanto duolmi, Susanna”
  2. W.A. MOZART - Le nozze di Figaro, K. 492, Act 2 (end), “Voi, che sapete” (Cherubino) 2.53
  3. W.A. MOZART - Le nozze di Figaro, K. 492, Act 2 (end), “Bravo! Che bella voce!” (La Contessa, Susanna, Cherubino) 1.20
  4. W.A. MOZART - Le nozze di Figaro, K. 492, Act 2 (end), “Venite, inginocciatevi!” (Susanna) 3.16
  5. W.A. MOZART - Le nozze di Figaro, K. 492, Act 2 (end), “Quante buffonerie!” (La Contessa, Susanna, Cherubino, Il Conte) 2.50
  6. W.A. MOZART - Le nozze di Figaro, K. 492, Act 2 (end), “Che novità!” (La Contessa, Il Conte) 1.24
  7. W.A. MOZART - Le nozze di Figaro, K. 492, Act 2 (end), “Susanna, or via, sortite” (La Contessa, Il Conte, Susanna) 3.30
  8. W.A. MOZART - Le nozze di Figaro, K. 492, Act 2 (end), “Dunque voi non aprite?” (La Contessa, Il Conte) 0.57
  9. W.A. MOZART - Le nozze di Figaro, K. 492, Act 2 (end), “Aprite, presto, aprite” (Susanna, Cherubino) 1.23
  10. W.A. MOZART - Le nozze di Figaro, K. 492, Act 2 (end), “Oh guarda il demonietto!” (Susanna) 0.22
  11. W.A. MOZART - Le nozze di Figaro, K. 492, Act 2 (end), “Tutto è come il lasciai” 1.23
  12. W.A. MOZART - Le nozze di Figaro, K. 492, Act 2 (end), Finale: “Esci ormai, garzon malnato” (Il Conte, Contessa) 3.42
  13. W.A. MOZART - Le nozze di Figaro, K. 492, Act 2 (end), “Signore, cos’è quel stupore?” (Susanna, Il Conte, La Contessa) 5.54
  14. W.A. MOZART - Le nozze di Figaro, K. 492, Act 2 (end), “Signori, di fuori” (Figaro, Il Conte, Susanna, La Contessa) 3.13
  15. W.A. MOZART - Le nozze di Figaro, K. 492, Act 2 (end), “Ah signor ... signor” (Antonio, Il Conte, Susanna, La Contessa, Figaro) 5.53
  16. W.A. MOZART - Le nozze di Figaro, K. 492, Act 2 (end), “Voi signor, che giusto siete” (Marcellina, Basilio, Bartolo, Il Conte, Susanna, La Contessa, Figaro) 3.57
  17. W.A. MOZART - Le nozze di Figaro, K. 492, Act 2 (end), “Che imbarazzo è mai questo!” (Il Conte, La Contessa, Susanna) 2.38
  18. W.A. MOZART - Le nozze di Figaro, K. 492, Act 3 (beginning), “Crudel! Perché finora” (Susanna, Il Conte) 2.48
  19. W.A. MOZART - Le nozze di Figaro, K. 492, Act 3 (beginning), “E perché fosti meco” (Susanna, Il Conte, Figaro) 0.56
  20. W.A. MOZART - Le nozze di Figaro, K. 492, Act 3 (beginning), “Hai gia vinta la causa!” 1.20
  21. W.A. MOZART - Le nozze di Figaro, K. 492, Act 3 (beginning), “Vedrò mentre io sospiro” (Il Conte) 3.02
  22. W.A. MOZART - Le nozze di Figaro, K. 492, Act 3 (beginning), “È decisa la lite” (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo) 2.10
  23. W.A. MOZART - Le nozze di Figaro, K. 492, Act 3 (beginning), “Riconosci in questo amplesso” (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo, Susanna) 5.02
  24. W.A. MOZART - Le nozze di Figaro, K. 492, Act 3 (beginning), “Eccovi, oh caro amico” (Marcellina, Figaro, Bartolo, Susanna) 1.12
  25. W.A. MOZART - Le nozze di Figaro, K. 492, Act 3 (beginning), “Andiam, andiam, bel paggio” (Barbarina, Cherubino) 0.48

CD18

  1. W.A. MOZART - Le nozze di Figaro, K. 492, Act 3 (end), “E Susanna non vien! ... Dove sono”
  2. W.A. MOZART - Le nozze di Figaro, K. 492, Act 3 (end), “Io vi dico, signor”
  3. W.A. MOZART - Le nozze di Figaro, K. 492, Act 3 (end), “Cosa mi narri”
  4. W.A. MOZART - Le nozze di Figaro, K. 492, Act 3 (end), “Sull’aria ... Che soave zeffiretto”
  5. W.A. MOZART - Le nozze di Figaro, K. 492, Act 3 (end), “Piegato è il foglio”
  6. W.A. MOZART - Le nozze di Figaro, K. 492, Act 3 (end), “Ricevete, o padroncina”
  7. W.A. MOZART - Le nozze di Figaro, K. 492, Act 3 (end), “Queste sono, madama”
  8. W.A. MOZART - Le nozze di Figaro, K. 492, Act 3 (end), “Ecco la marcia”
  9. W.A. MOZART - Le nozze di Figaro, K. 492, Act 4, Cavatina: “L'ho perduta”
  10. W.A. MOZART - Le nozze di Figaro, K. 492, Act 4, “Barbarina, cos’hai?”
  11. W.A. MOZART - Le nozze di Figaro, K. 492, Act 4, “Presto avvertiam Susanna”
  12. W.A. MOZART - Le nozze di Figaro, K. 492, Act 4, “Il capro e la capretta”
  13. W.A. MOZART - Le nozze di Figaro, K. 492, Act 4, “Nel padiglione a manca”
  14. W.A. MOZART - Le nozze di Figaro, K. 492, Act 4, “In quegl’anni”
  15. W.A. MOZART - Le nozze di Figaro, K. 492, Act 4, “Tutto è disposto ... Aprite un po’ quegl’occhi”
  16. W.A. MOZART - Le nozze di Figaro, K. 492, Act 4, “Signora, ella mi disse”
  17. W.A. MOZART - Le nozze di Figaro, K. 492, Act 4, “Giunse alfin il momento ... Deh vieni, non tardar”
  18. W.A. MOZART - Le nozze di Figaro, K. 492, Act 4, “Perfida, e in quella forma”
  19. W.A. MOZART - Le nozze di Figaro, K. 492, Act 4, Finale: “Pian, pianin”
  20. W.A. MOZART - Le nozze di Figaro, K. 492, Act 4, “Pace, pace, mio dolce tesoro”
  21. W.A. MOZART - Le nozze di Figaro, K. 492, Act 4, “Gente, gente, all’armi”

CD19

  1. W.A. MOZART - Thamos, König in Ägypten, K. 345, No. 1 Chorus: “Schon weichet dir, Sonne”
  2. W.A. MOZART - Thamos, König in Ägypten, K. 345, No. 2 Interlude. Maestoso – Allegro
  3. W.A. MOZART - Thamos, König in Ägypten, K. 345, No. 3 Interlude. Andante
  4. W.A. MOZART - Thamos, König in Ägypten, K. 345, No. 4 Interlude. Allegro
  5. W.A. MOZART - Thamos, König in Ägypten, K. 345, No. 5 Interlude. Allegro vivace assai
  6. W.A. MOZART - Thamos, König in Ägypten, K. 345, No. 6 Chorus: “Gottheit, über alle mächtig!”
  7. W.A. MOZART - Thamos, König in Ägypten, K. 345, No. 7 Interlude and Chorus: “Ihr Kinder des Staubes, erzittert und bebet”

CD20

  1. ANTONIO SALIERI - Prima la musica, Poi le parole, Sinfonia 2.11
  2. ANTONIO SALIERI - Prima la musica, Poi le parole, No. 1 Duetto: “Signor Poeta mio”
  3. ANTONIO SALIERI - Prima la musica, Poi le parole, No. 3 Recitativo: “Non dubitar, verrò”
  4. ANTONIO SALIERI - Prima la musica, Poi le parole, No. 4 Aria: “Là tu vedrai chi sono”
  5. ANTONIO SALIERI - Prima la musica, Poi le parole, No. 6 Trio: “Cari oggetti”
  6. ANTONIO SALIERI - Prima la musica, Poi le parole, No. 10 Aria: “Via largo, largo, largo” – Recitativo: “Voi non piangete, o perfidi?”
  7. ANTONIO SALIERI - Prima la musica, Poi le parole, No. 11 Cavatina: “Cucuzze! Che concorso”
  8. ANTONIO SALIERI - Prima la musica, Poi le parole, No. 13 Finale: “Se questo mio pianto il cor non ti tocca”
  9. W.A. MOZART - Der Schauspieldirektor, K. 486, Overture
  10. W.A. MOZART - Der Schauspieldirektor, K. 486, Ariette. “Da schlägt die Abschiedsstunde”
  11. W.A. MOZART - Der Schauspieldirektor, K. 486, Rondo. “Bester Jüngling! Mit Entzücken”
  12. W.A. MOZART - Der Schauspieldirektor, K. 486, Terzett. “Ich bin die erste Sängerin”
  13. W.A. MOZART - Der Schauspieldirektor, K. 486, Schlußgesang (Vaudeville). “Jeder Künstler strebt nach Ehre”

CD21

  1. JOSEPH HAYDN - Symphony No. 93 in D major, Hob. I:93, I. Adagio – Allegro assai
  2. JOSEPH HAYDN - Symphony No. 93 in D major, Hob. I:93, II. Largo cantabile
  3. JOSEPH HAYDN - Symphony No. 93 in D major, Hob. I:93, III. Menuetto – Trio
  4. JOSEPH HAYDN - Symphony No. 93 in D major, Hob. I:93, IV. Finale. Presto ma non troppo
  5. JOSEPH HAYDN - Symphony No. 100 in G major, Hob. I:100 “Military”, I. Adagio – Allegro
  6. JOSEPH HAYDN - Symphony No. 100 in G major, Hob. I:100 “Military”, II. Allegretto
  7. JOSEPH HAYDN - Symphony No. 100 in G major, Hob. I:100 “Military”, III. Menuetto. Moderato
  8. JOSEPH HAYDN - Symphony No. 100 in G major, Hob. I:100 “Military”, IV. Finale. Presto
  9. JOSEPH HAYDN - Symphony No. 68 in B-flat major, Hob. I:68, I. Vivace
  10. JOSEPH HAYDN - Symphony No. 68 in B-flat major, Hob. I:68, II. Menuetto – Trio
  11. JOSEPH HAYDN - Symphony No. 68 in B-flat major, Hob. I:68, III. Adagio cantabile
  12. JOSEPH HAYDN - Symphony No. 68 in B-flat major, Hob. I:68, IV. Finale. Presto

CD22

  1. JOSEPH HAYDN - Symphony No. 94 in G major, Hob. I:94 “Surprise”, I. Adagio cantabile – Vivace assai
  2. JOSEPH HAYDN - Symphony No. 94 in G major, Hob. I:94 “Surprise”, II. Andante
  3. JOSEPH HAYDN - Symphony No. 94 in G major, Hob. I:94 “Surprise”, III. Menuetto – Trio
  4. JOSEPH HAYDN - Symphony No. 94 in G major, Hob. I:94 “Surprise”, IV. Finale. Allegro di molto
  5. JOSEPH HAYDN - Symphony No. 95 in C minor, Hob. I:95, I. Allegro
  6. JOSEPH HAYDN - Symphony No. 95 in C minor, Hob. I:95, II. Andante
  7. JOSEPH HAYDN - Symphony No. 95 in C minor, Hob. I:95, III. Menuetto – Trio
  8. JOSEPH HAYDN - Symphony No. 95 in C minor, Hob. I:95, IV. Finale. Vivace

CD23

  1. JOSEPH HAYDN - Symphony No. 96 in D major, Hob. I:96 “Miracle”, I. Adagio – Allegro
  2. JOSEPH HAYDN - Symphony No. 96 in D major, Hob. I:96 “Miracle”, II. Andante
  3. JOSEPH HAYDN - Symphony No. 96 in D major, Hob. I:96 “Miracle”, III. Menuetto. Allegretto
  4. JOSEPH HAYDN - Symphony No. 96 in D major, Hob. I:96 “Miracle”, IV. Finale. Vivace assai
  5. JOSEPH HAYDN - Symphony No. 97 in C major, Hob. I:97, I. Adagio – Vivace
  6. JOSEPH HAYDN - Symphony No. 97 in C major, Hob. I:97, II. Adagio ma non troppo
  7. JOSEPH HAYDN - Symphony No. 97 in C major, Hob. I:97, III. Menuetto – Trio
  8. JOSEPH HAYDN - Symphony No. 97 in C major, Hob. I:97, IV. Finale. Presto assai

CD24

  1. JOSEPH HAYDN - Symphony No. 98 in B-flat major, Hob. I:98, I. Adagio – Allegro
  2. JOSEPH HAYDN - Symphony No. 98 in B-flat major, Hob. I:98, II. Adagio
  3. JOSEPH HAYDN - Symphony No. 98 in B-flat major, Hob. I:98, III. Menuetto – Trio
  4. JOSEPH HAYDN - Symphony No. 98 in B-flat major, Hob. I:98, IV. Finale. Presto
  5. JOSEPH HAYDN - Symphony No. 99 in E-flat major, Hob. I:99, I. Adagio – Vivace assai
  6. JOSEPH HAYDN - Symphony No. 99 in E-flat major, Hob. I:99, II. Adagio
  7. JOSEPH HAYDN - Symphony No. 99 in E-flat major, Hob. I:99, III. Menuetto. Allegretto
  8. JOSEPH HAYDN - Symphony No. 99 in E-flat major, Hob. I:99, IV. Finale. Vivace

CD25

  1. JOSEPH HAYDN - Symphony No. 101 in D major, Hob. I:101 “Clock”, I. Adagio – Presto
  2. JOSEPH HAYDN - Symphony No. 101 in D major, Hob. I:101 “Clock”, II. Andante
  3. JOSEPH HAYDN - Symphony No. 101 in D major, Hob. I:101 “Clock”, III. Menuetto – Trio
  4. JOSEPH HAYDN - Symphony No. 101 in D major, Hob. I:101 “Clock”, IV. Finale. Vivace
  5. JOSEPH HAYDN - Symphony No. 102 in B-flat major, Hob. I:102, I. Largo – Allegro vivace
  6. JOSEPH HAYDN - Symphony No. 102 in B-flat major, Hob. I:102, II. Adagio
  7. JOSEPH HAYDN - Symphony No. 102 in B-flat major, Hob. I:102, III. Menuetto – Trio
  8. JOSEPH HAYDN - Symphony No. 102 in B-flat major, Hob. I:102, IV. Finale. Presto

CD26

  1. JOSEPH HAYDN - Symphony No. 103 in E-flat major, Hob. I:103 “Drumroll", I. Adagio – Allegro con spirito
  2. JOSEPH HAYDN - Symphony No. 103 in E-flat major, Hob. I:103 “Drumroll", II. Andante più tosto allegretto
  3. JOSEPH HAYDN - Symphony No. 103 in E-flat major, Hob. I:103 “Drumroll", III. Menuet – Trio
  4. JOSEPH HAYDN - Symphony No. 103 in E-flat major, Hob. I:103 “Drumroll", IV. Finale. Allegro con spirito
  5. JOSEPH HAYDN - Symphony No. 104 in D major, Hob. I:104 “London", I. Adagio – Allegro
  6. JOSEPH HAYDN - Symphony No. 104 in D major, Hob. I:104 “London", II. Andante
  7. JOSEPH HAYDN - Symphony No. 104 in D major, Hob. I:104 “London", III. Menuetto – Trio
  8. JOSEPH HAYDN - Symphony No. 104 in D major, Hob. I:104 “London", IV. Finale. Spiritoso

CD27

  1. FRANZ SCHUBERT - Symphony No. 1 in D major, D. 82, I. Adagio – Allegro vivace
  2. FRANZ SCHUBERT - Symphony No. 1 in D major, D. 82, II. Andante
  3. FRANZ SCHUBERT - Symphony No. 1 in D major, D. 82, III. Menuetto. Allegro
  4. FRANZ SCHUBERT - Symphony No. 1 in D major, D. 82, IV. Allegro vivace
  5. FRANZ SCHUBERT - Symphony No. 4 in C minor, D. 417, I. Adagio molto – Allegro vivace
  6. FRANZ SCHUBERT - Symphony No. 4 in C minor, D. 417, II. Andante
  7. FRANZ SCHUBERT - Symphony No. 4 in C minor, D. 417, III. Menuetto. Allegro vivace – Trio
  8. FRANZ SCHUBERT - Symphony No. 4 in C minor, D. 417, IV. Allegro
  9. FRANZ SCHUBERT - Overture in D major, D. 590 “In the Italian Style”
  10. FRANZ SCHUBERT - Overture in C major, Op. posth. 170, D. 591 “In the Italian Style”

CD28

  1. FRANZ SCHUBERT - Symphony No. 2 in B-flat major, D. 125, I. Largo – Allegro vivace
  2. FRANZ SCHUBERT - Symphony No. 2 in B-flat major, D. 125, II. Andante
  3. FRANZ SCHUBERT - Symphony No. 2 in B-flat major, D. 125, III. Menuetto. Allegro vivace
  4. FRANZ SCHUBERT - Symphony No. 2 in B-flat major, D. 125, IV. Presto
  5. FRANZ SCHUBERT - Symphony No. 6 in C major, D. 589, I. Adagio – Allegro
  6. FRANZ SCHUBERT - Symphony No. 6 in C major, D. 589, II. Andante
  7. FRANZ SCHUBERT - Symphony No. 6 in C major, D. 589, III. Scherzo. Presto – Trio. Più lento
  8. FRANZ SCHUBERT - Symphony No. 6 in C major, D. 589, IV. Allegro moderato

CD29

  1. FRANZ SCHUBERT - Symphony No. 3 in D major, D. 200, I. Adagio maestoso – Allegro con brio
  2. FRANZ SCHUBERT - Symphony No. 3 in D major, D. 200, II. Allegretto
  3. FRANZ SCHUBERT - Symphony No. 3 in D major, D. 200, III. Menuetto. Vivace – Trio
  4. FRANZ SCHUBERT - Symphony No. 3 in D major, D. 200, IV. Presto vivace
  5. FRANZ SCHUBERT - Symphony No. 5 in B-flat major, D. 485, I. Allegro
  6. FRANZ SCHUBERT - Symphony No. 5 in B-flat major, D. 485, II. Andante con moto
  7. FRANZ SCHUBERT - Symphony No. 5 in B-flat major, D. 485, III. Menuetto. Allegro molto – Trio
  8. FRANZ SCHUBERT - Symphony No. 5 in B-flat major, D. 485, IV. Allegro vivace
  9. FRANZ SCHUBERT - Symphony No. 8 in B minor, D. 759 “Unfinished”, I. Allegro moderato
  10. FRANZ SCHUBERT - Symphony No. 8 in B minor, D. 759 “Unfinished”, II. Andante con moto

CD30

  1. FRANZ SCHUBERT - Symphony No. 9 in C major, D. 944 “The Great”, I. Andante – Allegro ma non troppo
  2. FRANZ SCHUBERT - Symphony No. 9 in C major, D. 944 “The Great”, II. Andante con moto
  3. FRANZ SCHUBERT - Symphony No. 9 in C major, D. 944 “The Great”, III. Scherzo. Allegro vivace – Trio
  4. FRANZ SCHUBERT - Symphony No. 9 in C major, D. 944 “The Great”, IV. Finale. Allegro vivace

CD31

  1. JOHANN STRAUSS II - Der Zigeunerbaron: Overture
  2. JOHANN STRAUSS II - Kreuzfidel, Op. 301
  3. JOHANN STRAUSS II - Leichtes Blut, Op. 319
  4. JOHANN STRAUSS II - G’schichten aus dem Wienerwald, Op. 325
  5. JOHANN STRAUSS II - Ägyptischer Marsch, Op. 335
  6. JOHANN STRAUSS II - Wiener Bonbons, Op. 307
  7. JOHANN STRAUSS II - Pizzicato-Polka
  8. JOHANN STRAUSS II - Unter Donner und Blitz, Op. 324
  9. JOHANN STRAUSS II - An der schönen blauen Donau, Op. 314

CD32

  1. JOHANN STRAUSS II - Die Fledermaus (beginning), Overture
  2. JOHANN STRAUSS II - Die Fledermaus (beginning), Act 1, “Täubchen, das entflattert ist”
  3. JOHANN STRAUSS II - Die Fledermaus (beginning), Act 1, “O je, jetzt hab’ i meinen Auftritt verpasst”
  4. JOHANN STRAUSS II - Die Fledermaus (beginning), Act 1, “Ach, ich darf nicht hin zu dir”
  5. JOHANN STRAUSS II - Die Fledermaus (beginning), Act 1, “Nein, mit solchen Advokaten”
  6. JOHANN STRAUSS II - Die Fledermaus (beginning), Act 1, “Komm mit mir zum Souper”
  7. JOHANN STRAUSS II - Die Fledermaus (beginning), Act 1, “So muss allein ich bleiben”
  8. JOHANN STRAUSS II - Die Fledermaus (beginning), Act 1, Finale I: “Trinke, Liebchen, trinke schnell”
  9. JOHANN STRAUSS II - Die Fledermaus (beginning), Act 2 (beginning), “Ein Souper heut’ uns winkt”
  10. JOHANN STRAUSS II - Die Fledermaus (beginning), Act 2 (beginning), “Ich lade gern mir Gäste ein”
  11. JOHANN STRAUSS II - Die Fledermaus (beginning), Act 2 (beginning), “Ach, meine Herrn und Damen”
  12. JOHANN STRAUSS II - Die Fledermaus (beginning), Act 2 (beginning), “Also jetzt einmal ehrlich”
  13. JOHANN STRAUSS II - Die Fledermaus (beginning), Act 2 (beginning), “Dieser Anstand, so manierlich”

CD33

  1. JOHANN STRAUSS II - Die Fledermaus (end), Act 2 (end), “Klänge der Heimat”
  2. JOHANN STRAUSS II - Die Fledermaus (end), Act 2 (end), “Ich glaub, Komödie”
  3. JOHANN STRAUSS II - Die Fledermaus (end), Act 2 (end), Finale II: “Im Feuerstrom der Reben”
  4. JOHANN STRAUSS II - Die Fledermaus (end), Act 2 (end), “Marianka, komm und tanz mit mir”
  5. JOHANN STRAUSS II - Die Fledermaus (end), Act 2 (end), “Genug damit, genug!”
  6. JOHANN STRAUSS II - Die Fledermaus (end), Act 3, Entr’act
  7. JOHANN STRAUSS II - Die Fledermaus (end), Act 3, “Das ist vielleicht ein fideles Gefängnis”
  8. JOHANN STRAUSS II - Die Fledermaus (end), Act 3, “Olga, komm her, Ida auch”
  9. JOHANN STRAUSS II - Die Fledermaus (end), Act 3, “Spiel’ ich die Unschuld vom Lande”
  10. JOHANN STRAUSS II - Die Fledermaus (end), Act 3, “Ich stehe voll Zagen”
  11. JOHANN STRAUSS II - Die Fledermaus (end), Act 3, Finale III: “O Fledermaus, o Fledermaus”

CD34

  1. ANTON BRUCKNER - Symphony No. 3 in D minor, WAB 103 “Wagner Symphony”, I. Gemäßigt, mehr bewegt, misterioso
  2. ANTON BRUCKNER - Symphony No. 3 in D minor, WAB 103 “Wagner Symphony”, II. Adagio. Bewegt, quasi andante
  3. ANTON BRUCKNER - Symphony No. 3 in D minor, WAB 103 “Wagner Symphony”, III. Scherzo. Ziemlich schnell
  4. ANTON BRUCKNER - Symphony No. 3 in D minor, WAB 103 “Wagner Symphony”, IV. Finale. Allegro

CD35

  1. ANTON BRUCKNER - Symphony No. 4 in E-flat major, WAB 104 “Romantic”, I. Bewegt, nicht zu schnell
  2. ANTON BRUCKNER - Symphony No. 4 in E-flat major, WAB 104 “Romantic”, II. Andante, quasi allegretto
  3. ANTON BRUCKNER - Symphony No. 4 in E-flat major, WAB 104 “Romantic”, III. Scherzo. Bewegt – Trio. Nicht zu schnell
  4. ANTON BRUCKNER - Symphony No. 4 in E-flat major, WAB 104 “Romantic”, IV. Finale. Bewegt, doch nicht zu schnell

CD36

  1. JOHANNES BRAHMS - Piano Concerto No. 1 in D minor, Op. 15, I. Maestoso
  2. JOHANNES BRAHMS - Piano Concerto No. 1 in D minor, Op. 15, II. Adagio
  3. JOHANNES BRAHMS - Piano Concerto No. 1 in D minor, Op. 15, III. Rondo. Allegro non troppo

CD37

  1. JOHANNES BRAHMS - Piano Concerto No. 2 in B-flat major, Op. 83, I. Allegro non troppo
  2. JOHANNES BRAHMS - Piano Concerto No. 2 in B-flat major, Op. 83, II. Allegro appassionato
  3. JOHANNES BRAHMS - Piano Concerto No. 2 in B-flat major, Op. 83, III. Andante
  4. JOHANNES BRAHMS - Piano Concerto No. 2 in B-flat major, Op. 83, IV. Allegretto grazioso

CD38

  1. JOHANNES BRAHMS - Violin Concerto in D major, Op. 77, I. Allegro non troppo
  2. JOHANNES BRAHMS - Violin Concerto in D major, Op. 77, II. Adagio
  3. JOHANNES BRAHMS - Violin Concerto in D major, Op. 77, III. Allegro giocoso, ma non troppo vivace
  4. JOHANNES BRAHMS - Double Concerto for violin and cello in A minor, Op. 102, I. Allegro
  5. JOHANNES BRAHMS - Double Concerto for violin and cello in A minor, Op. 102, II. Andante
  6. JOHANNES BRAHMS - Double Concerto for violin and cello in A minor, Op. 102, III. Vivace non troppo

CD39

  1. ANTONÍN DVOŘÁK - Symphony No. 7 in D minor, Op. 70, B. 141, I. Allegro maestoso
  2. ANTONÍN DVOŘÁK - Symphony No. 7 in D minor, Op. 70, B. 141, II. Poco adagio
  3. ANTONÍN DVOŘÁK - Symphony No. 7 in D minor, Op. 70, B. 141, III. Scherzo. Vivace
  4. ANTONÍN DVOŘÁK - Symphony No. 7 in D minor, Op. 70, B. 141, IV. Finale. Allegro
  5. ANTONÍN DVOŘÁK - The Wild Dove, Op. 110, B. 198, I. Andante. Marcia funebre
  6. ANTONÍN DVOŘÁK - The Wild Dove, Op. 110, B. 198, II. Allegro
  7. ANTONÍN DVOŘÁK - The Wild Dove, Op. 110, B. 198, III. Molto vivace
  8. ANTONÍN DVOŘÁK - The Wild Dove, Op. 110, B. 198, IV. Andante

CD40

  1. ANTONÍN DVOŘÁK - Symphony No. 8 in G major, Op. 88, B. 163, I. Allegro con brio
  2. ANTONÍN DVOŘÁK - Symphony No. 8 in G major, Op. 88, B. 163, II. Adagio
  3. ANTONÍN DVOŘÁK - Symphony No. 8 in G major, Op. 88, B. 163, III. Allegretto grazioso
  4. ANTONÍN DVOŘÁK - Symphony No. 8 in G major, Op. 88, B. 163, IV. Allegro ma non troppo
  5. ANTONÍN DVOŘÁK - The Noon Witch, Op. 108, B. 196, I. Allegretto
  6. ANTONÍN DVOŘÁK - The Noon Witch, Op. 108, B. 196, II. Andante sostenuto e molto tranquillo
  7. ANTONÍN DVOŘÁK - The Noon Witch, Op. 108, B. 196, III. Allegro
  8. ANTONÍN DVOŘÁK - The Noon Witch, Op. 108, B. 196, IV. Andante

CD41

  1. ANTONÍN DVOŘÁK - Symphony No. 9 in E minor, Op. 95, B. 178 “From the New World”, I. Adagio – Allegro molto
  2. ANTONÍN DVOŘÁK - Symphony No. 9 in E minor, Op. 95, B. 178 “From the New World”, II. Largo
  3. ANTONÍN DVOŘÁK - Symphony No. 9 in E minor, Op. 95, B. 178 “From the New World”, III. Molto vivace
  4. ANTONÍN DVOŘÁK - Symphony No. 9 in E minor, Op. 95, B. 178 “From the New World”, IV. Allegro con fuoco
  5. ANTONÍN DVOŘÁK - The Water Goblin, Op. 107, B. 195

CD42

  1. ANTONÍN DVOŘÁK - Piano Concerto in G minor, Op. 33, B. 63, I. Allegro agitato
  2. ANTONÍN DVOŘÁK - Piano Concerto in G minor, Op. 33, B. 63, II. Andante sostenuto
  3. ANTONÍN DVOŘÁK - Piano Concerto in G minor, Op. 33, B. 63, III. Allegro con fuoco
  4. ANTONÍN DVOŘÁK - The Golden Spinning Wheel, Op. 109, B. 197

 

Nikolaus Harnoncourt was born in 1929 in Berlin into a noble family. He grew up in Graz, Austria and trained as a cellist in Vienna, also playing the viola da gamba. He spent most of the 1950s and 60s as a member of the Vienna Symphony Orchestra, but rebelled against the practice of taking a Romantic approach to music from every era and rejected the idea of the conductor as autocrat. When he became a conductor he preferred to treat the orchestral musicians as colleagues.

In the early 1950s Harnoncourt and his violinist wife, Alice Hoffelner, founded the Concentus Musicus Wien, the first professional orchestra in Europe to play on period instruments and dedicated to music of the pre-Romantic era. In 1954 he had written of the need “to hear and perform [Bach’s masterpieces] as if they had never been interpreted before”.

From the 1970s onwards Harnoncourt developed relationships with a number of major modern-instrument orchestras, including the Wiener Philharmoniker, Vienna Symphony, Royal Concertgebouw, Berliner Philharmoniker and Chamber Orchestra of Europe.

He took a scholarly approach to the score, no matter what the era of its genesis, searching out original manuscripts and orchestral parts to gain a deep understanding of the composer’s intentions and the performing style of the composer’s time. As Sir Nicholas Kenyon wrote in Gramophone after Harnoncourt’s death: “He wanted to explore why composers made their music sound as it did, to understand what their intentions were, to react to the instruments they used and to their sonorities, and to see how they could best be created anew in our time. He did not believe in ‘authenticity’ as such, and never used the word. Instead he questioned ‘tradition’ as laziness [as] Mahler had before him.”

Harnoncourt was deeply engaged with the world of centuries past – perhaps to get a little closer to the unanswerable question of how listeners of those times might have experienced the works of the great masters. He studied sources from those eras to learn how musicians had actually played. That historical context, for him, gave the music its colour. His unique gift was to translate that knowledge into the sound and performance practice of a modern symphony orchestra.

Nikolaus Harnoncourt’s relationship with the Royal Concertgebouw Orchestra was one of the most transformative partnerships in modern orchestral history, lasting 38 years and totalling 276 concerts. Beginning in 1975 (with Bach’s St. John Passion), the Austrian conductor brought his radical “Historically Informed Performance” (HIP) principles to one of the world’s most traditional romantic orchestras. This collaboration challenged the musicians to rethink their phrasing, articulation, and use of vibrato, ultimately bridging the gap between old-world symphonic sound and baroque authenticity.

What made this partnership unique was the mutual respect between the maestro and the ensemble. While many traditional orchestras initially resisted Harnoncourt’s strict adherence to historical scores, the Concertgebouw musicians embraced his intellectual rigor. Over several decades, they developed a distinctive “Amsterdam style” of performing the First Viennese School – Mozart, Haydn, and Beethoven – that combined the orchestra’s legendary warmth with Harnoncourt’s sharp, dramatic energy.

The recorded legacy of this collaboration remains a cornerstone of the classical catalog. Their famous cycles of Mozart and Haydn symphonies were highly acclaimed, as was their profound interpretation of Schubert’s complete symphonic works, which continue to be benchmarks for critics and collectors alike. The box also includes the famous Mozart/Da Ponte trilogy (Don Giovanni, Le nozze di Figaro and Così fan tutte), starring Thomas Hampson, works by Bruckner, Johann Strauss and Brahms, as well as four albums by Dvořák (his major symphonies and his piano concerto).

The Complete Teldec Recordings (CD42) • The Complete Teldec Recordings (CD42) • The Complete Teldec Recordings (CD42) • The Complete Teldec Recordings (CD42) •

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