Wolfgang Amadeus Mozart: Requiem (Limited) (180g)
Pygmalion, Raphaël PichonLPA
- Plainchant: Antienne - In Paradisum (Anon.)
- Ach, Zu Kurz Ist Unsers Lebenslauf K.228 (515b) - Canon A 4
- Miserere Mei (Originally Kyrie) K.90
- Requiem In D Minor K.626, I. Introitus
- Requiem In D Minor K.626, II. Kyrie
- Ne Pulvis Et Cinis K.122
- Requiem In D Minor K.626, III. Sequentia I - Dies Irae
- Requiem In D Minor K.626, III. Sequentia I - Tuba Mirum
LPB
- Requiem In D Minor K.626,III. Sequentia I - Rex Tremendae
- Solfeggio In F Major K.393/2 (Orch. Vincent Manac’h)
- Requiem In D Minor K.626, III. Sequentia II - Recordare
- Requiem In D Minor K.626, III. Sequentia II - Confutatis
- Requiem In D Minor K.626, III. Sequentia II - Lacrimosa & Amen (Appendix) K.626
LPC
- Requiem In D Minor K.626, IV. Offertorium I - Domine Jesu Christe
- Quis Te Comprehendat K. Anh.110
- Requiem In D Minor K.626, IV. Offertorium II - Hostias
- Requiem In D Minor K.626, V. Sanctus
- Requiem In D Minor K.626, VI. Benedictus
LPD
- O Gottes Lamm K.343/1 (Orch. Vincent Manac’h)
- Requiem In D Minor K.626, VII. Agnus Dei
- Requiem In D Minor K.626, VIII. Communio
- Plainchant: Antienne - In Paradisum (Anon.)
The sublime reflection of a human being faced with his own finitude and what comes afterwards, Mozart’s Requiem reaches beyond the realm of music to attain universal resonance. Raphaël Pichon’s interpretation of this testamentary work, nurtured by a seminal experience with stage director Romeo Castellucci and punctuated by earlier sacred pieces of Mozart, is overwhelmingly moving.