Supernature (LP + CD)

Cerrone Cerrone

LPA

  1. Supernature
  2. Sweet Drums
  3. In The Smoke

LPB

  1. Give Me Love
  2. Love Is Here
  3. Love Is The Answer

 


Big hits can be the result of a combination of circumstances. Massively popular at the time, crowned with the success of Love in C Minor and Cerrone's Paradise that made him a disco hero of the '70s, the musician started working on his new album differently. This time, the inspiration came from a synthesizer, an instrument he never used before. ARP, an American manufacturer, provided him with it. "I was given this machine and didn't know how to use it," he remembers. "I twiddled a few knobs, trying to get some sounds out of it. Then, as I was playing on the keyboard, a bass line came to me that I immediately recorded on my Revox. It was 'Supernature!'" Lene Lovich, future queen of the punk and new wave English scene, wrote the lyrics. It was a science fiction story, similar in spirit to The Planet of the Apes. Once the track and album were finished, Cerrone asked the record company to focus on "Supernature," rather than the rest of the record, in the vein of his previous work. History would prove him right. This track, the more iconic of his catalog, would turn out to be his biggest hit. This third album (also called Supernature) would also sell eight million copies. Always a funny guy, Cerrone can be seen on the cover of the record, but without naked women. Creatures with animal-heads in a surgery room replaced them. It meant a mutant and more synthetic kind of disco was born.
 

His third album was originally releases in 1977.

Supernature (LP + CD) • Supernature (LP + CD) • Supernature (LP + CD) • Supernature (LP + CD) •

Cerrone Cerrone
Cerrone (full name: Jean-Marc Cerrone) (born 24 May 1952, Vitry-sur-Seine, near Paris, France) is an iconic and influential French European disco and dance pop drummer, singer, and music producer. Marc Cerrone has sold over thirty million albums. He claims, and it is often credited by others, that he was "the first" to put the kick drum (or bass drum) into the foreground of modern eurodance music. At the age of 12, he started playing drums and listening to Otis Redding's songs. His passion for music scared his father, who tried to distract him from his obsession. By the end of the 60s, he was fascinated by, among others, Jimi Hendrix, Carlos Santana, and Blood, Sweat & Tears. At the ...
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