Let It Be (Deluxe) (LP4)

LPA ORIGINAL ALBUM REMASTERED

1. I Will Dare (2025 Remaster)
2. Favorite Thing (2025 Remaster)
3. We’re Comin’ Out (2025 Remaster)
4. Tommy Gets His Tonsils Out (2025 Remaster)
5. Androgynous (2025 Remaster)
6. Black Diamond (2025 Remaster)

LPB ORIGINAL ALBUM REMASTERED

1. Unsatisfied (2025 Remaster)
2. Seen Your Video (2025 Remaster)
3. Gary’s Got A Boner (2025 Remaster)
4. Sixteen Blue (2025 Remaster)
5. Answering Machine (2025 Remaster)

LPC RARITIES

1. Gary’s Got A Boner (Alternate Version) (2025 Remaster)
2. Favorite Thing (Alternate Version) (2025 Remaster)
3. Perfectly Lethal (2025 Remaster)
4. Temptation Eyes (2025 Remaster)
5. Who’s Gonna Take Us Alive (2025 Remaster)
6. Heartbeat, It’s A Lovebeat (2025 Remaster)
7. Answering Machine (Home Demo #1) (2025 Remaster)
8. Answering Machine (Home Demo #2) (2025 Remaster)

LPD RARITIES

1. Street Girl (Takes 1 And 2) (2025 Remaster)
2. Sixteen Blue (Alternate Version) (2025 Remaster)
3. Unsatisfied (Full Length Version) (2025 Remaster)
4. Androgynous (Alternate Version) (2025 Remaster)
5. 20th Century Boy (2025 Remaster)
6. Hey Good Lookin’ (Live) (2025 Remaster)

LPE GOODNIGHT! GO HOME!: LIVE AT CUBBY BEAR, CHICAGO, IL, TBD MARCH, 1984

1. Can’t Hardly Wait (2025 Remaster)
2. Left In The Dark (2025 Remaster)
3. Unsatisfied (2025 Remaster)
4. I Will Dare (2025 Remaster)
5. Favorite Thing (2025 Remaster)
6. Kids Don’t Follow (2025 Remaster)

LPF GOODNIGHT! GO HOME!: LIVE AT CUBBY BEAR, CHICAGO, IL, TBD MARCH, 1984

1. Run It (2025 Remaster)
2. Color Me Impressed (2025 Remaster)
3. Hayday (2025 Remaster)
4. Nowhere Is My Home (2025 Remaster)
5. Love You Til’ Friday (2025 Remaster)
6. Help Me Rhonda / G.T.O. (2025 Remaster)
7. Takin’ A Ride (2025 Remaster)

LPG GOODNIGHT! GO HOME!: LIVE AT CUBBY BEAR, CHICAGO, IL, TBD MARCH, 1984

1. Tommy Gets His Tonsils Out (2025 Remaster)
2. Gary’s Got A Boner (2025 Remaster)
3. Johnny’s Gonna Die (2025 Remaster)
4. Can’t Get Enough (2025 Remaster)
5. I’m In Trouble (2025 Remaster)
6. Don’t Ask Why (2025 Remaster)
7. Take Me Down To The Hospital (2025 Remaster)

LPH GOODNIGHT! GO HOME!: LIVE AT CUBBY BEAR, CHICAGO, IL, TBD MARCH, 1984

1. Shiftless When Idle (2025 Remaster)
2. Mr. Whirly (2025 Remaster)
3. Hitchin’ A Ride (2025 Remaster)
4. Black Diamond (2025 Remaster)
5. 20th Century Boy (2025 Remaster)
6. Go (2025 Remaster)
7. Gimme Noise (2025 Remaster)
8. White And Lazy (2025 Remaster)

Let It Be by The Replacements—Paul Westerberg, Bob Stinson, Tommy Stinson, and Chris Mars - originally released by highly revered indie label Twin/Tone Records, is widely hailed as one of the greatest albums of the 1980s and a cornerstone of indie rock. The landmark 1984 album returns in a newly remastered and expanded edition from Rhino.

Let It Be (Deluxe Edition) will be available on 4LPs and 3CDs and includes the album alongside unreleased studio and live recordings.

The previously unreleased and sought-after track, “Street Girl (Takes 1 and 2),” is available to stream today. “‘Street Girl’ is a skittering Modern Lovers-style celebration of the kind of woman Westerberg tends to sketch so well: tough, smart, sexy, and just vulnerable enough to imagine you might somehow get to know her,” shares Elizabeth Nelson in the set's liner notes.

The set gathers a wide range of unreleased material from the Let It Be sessions, including alternate versions of “Gary’s Got A Boner” and “Favorite Thing,” as well as previously unreleased outtakes “Who’s Gonna Take Us Alive” and “Street Girl.”  The alternate version of “Androgynous” features a different vocal take and the full piano intro, restored for the first time. All five bonus tracks from 2008’s Let It Be (Expanded Edition) are included here, newly remastered for this set.

The collection also includes Goodnight! Go Home!, an unreleased 28-song performance recorded in August 1984 at the Cubby Bear in Chicago. Sourced from an audience tape and beautifully mastered, it finds the Minneapolis quartet charging through material from the not-yet-released album (“I Will Dare” and “Unsatisfied”), early favorites (“Color Me Impressed” and “Takin’ A Ride”), and characteristically offbeat covers “Help Me Rhonda/Little G.T.O.” (originally done by The Beach Boys/Ronny & The Daytonas) and “Can’t Get Enough” (Bad Company).

4LP or 3CD versions of Let It Be (Deluxe Edition), plus a bonus 10-inch vinyl Live at City Garden, will be available exclusively at Rhino. Rhino exclusive merch bundles include the 3CD alongside a T-Shirt, as well as the 4LP with a 10-inch and T-Shirt. The six-song soundboard recording was made February 11 at one of the band’s favorite punk clubs in Trenton, NJ. One highlight is a rare performance of the ballad “You’re Getting Married,” a birthday request from the band’s original manager and Twin/Tone co-founder Peter Jesperson, who co-produced the 1984 album, as well as this Deluxe Edition with Rhino's Jason Jones. Westerberg altered the lyrics mid-song, delivering them to a punk crowd Jesperson feared “might eat him alive”—but didn’t. “In all of The Replacements’ lore,” he says, “I think this is one of the greatest moments ever.”

By the time Let It Be was recorded, The Replacements had nearly outgrown their rough-edged hardcore beginnings. In their place were songs about longing, identity, and the uneasy shift from youth to adulthood. Tracks like “Unsatisfied” and “Answering Machine” embody that evolution, while “Seen Your Video” preserved their instinct for irreverence. The response was immediate, earning a rare A+ from Robert Christgau in The Village Voice and four stars from Rolling Stone. Its critical reputation only snowballed from there, eventually landing it on countless lists of the greatest albums ever made.

As a music journalist and singer and songwriter from the critically acclaimed DC-based pub-rock band the Paranoid Style, Elizabeth Nelson writes in the liner notes, “In form and function, The Replacements were the ultimate rebuke to masculine punk, and Let It Be, at its core, is a record for girls.” It’s also a record for the terminally shy, and for anyone who ever felt like a freak in their own skin. It is, in short, the blueprint for what so many of us wanted and needed rock and roll to be: a refuge, a provocation, and in the end, a way out.