Au Revoir Là-Haut O.s.t.
Soundtrack, Christophe Julien- Albert Swing
- Seul
- L’arnaque Et Le Poste
- T’es Joli
- Le Champ De Bataille
- Pauline Et Albert Chez Les Péricourt
- NINO ROTA - Raquel (From “Spara Forte Piu Forte Non Capisco”)
- Le Cimetière
- MISTINGUETT - Il M’a Vue Nue
- Le Sable
- Darkness Et La Côte 113
- RACHEL PORTMAN - I Won’t Ruin Him (From “Despite The Falling Snow”)
- ENNIO MORRICONE - Suspicion
- Le Miroir
- Les Photos
- DEBBIE WISEMAN - Bucket Of The Detective (From “The Dickensian”)
- Ne Te Retourne Pas
- FLETCHER ANDERSON & HIS ORCHESTRA - Variety Stomp
- Dernière Heure
- Les Masques
- La Recherche De Pradelle
- Pauline Et Le Glas
- La Sortie De L’hôpital
- RACHEL PORTMAN - I Was Blackmailed (From “Despite The Falling Snow”)
- Pauline, Albert Et Les Alliances
- DEBBIE WISEMAN - What The Eyes Doesn’t See (From “The Dickensian”)
- La Terrasse
- Bon Voyage, Soldat Maillard
Au Revoir Là-Haut is the new picture by French director Albert Dupontel (Bernie, 9 Month Stretch), starring Laurent Lafitte, Mélanie Thierry and Niels Arestrup. November 1918. A few days before the Armistice, Édouard Péricourt saves Albert Maillard's life. These two men have nothing in common but the war. Lieutenant Pradelle, by ordering a senseless assault, destroys their lives while binding them as companions in misfortune. On the ruins of the carnage of WWI, condemned to live, the two attempt to survive. Thus, as Pradelle is about to make a fortune with the war victims' corpses, Albert and Édouard mount a monumental scam with the bereaved families' commemoration and with a nation's hero worship.
The score to Au Revoir Là-Haut was composed by Dupontel’s frequent collaborator Christophe Julien (The Villain, 9 Months Stretch). The “Dupontel Revolution” is also due to his film composer. His main quality is, according to the director, the sense of melody. This original soundtrack refers to the lost art of film composing, as it was known in the 60’s.
“We also have a piece by Morricone and an other by Nino Rota in the film. The proof of Christophe’s talent is that we can’t make the difference between them and his score!” (Albert Dupontel).