Rock Glasba Number of Items:
Laibach CD
Love is Still Alive (2023)
Format: CD - Glasba
Code: 5400863094683
- Love Is Still Alive I (Moon, Euphoria)
- Love Is Still Alive II (Venus, Libidine)
- Love Is Still Alive III (Mercury, Dopamine)
- Love Is Still Alive IV (Neptune, Oxytocin)
- Love Is Still Alive V (Uranus, Prolactin)
- Love Is Still Alive VI (Saturn, Insomnia)
- Love Is Still Alive VII (Jupiter, Tristitia)
- Love Is Still Alive VIII (Mars, Dysphoria)
Legendary Slovenian group Laibach return with their new EP LOVE IS STILL ALIVE, via Mute.
The EP is a 40 minute country, dance and electronic masterpiece, featuring different versions of the song Love Is Still Alive. The original song is taken from Laibach’s soundtrack for the sci-fi action film Iron Sky: The Coming Race, and centres around Milan Fras’ unmistakable gravely vocal over an old time country western accompaniment, a musical curveball from a career that defies genres. The Coming Race is the sequel to Iron Sky, which Laibach were commissioned to compose the score for in 2012. The Finnish dark comedy achieved cult-status and raised more than $1 million via crowdfunding. This release follows a series of important theatrical performances and releases from Laibach, and supports their Coming Race tour dates (2022/2023).
Date of shipping from Slovenia is approximately one working day.
Laibach
Trbovlje, Slovenia (1980 – present) Laibach is an industrial project that started in Trbovlje, Slovenia, in 1980. Their name is taken from the German name for Slovenia’s capital Ljubljana, and this reference to World War II occupation was the first of many provocative and ambiguous statements in their long and chameleonic career. Laibach were founding members of the art movement NSK (Neue Slowenische Kunst — “New Slovenian Art”) and are one of the few musical groups able to claim real influence on the history of their home country. Laibach are best known for their cover versions of pop songs which have been rerendered in such a way as to reveal formerly hidden or unnoticed messages, often commenting on political totalitarianism or rock stardom’s own forms of dictatorship. This was done most successfully on Opus Dei, especially ...
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